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WOMEN 
Women as Writers, Editors, Translators, Illustrators, & Printers
Books By, For, & About Women
[Combe,
William]. The diaboliad...also,
the diabo-lady: Or, a match in Hell. London pr., Dublin repr.,
1777. 8vo (18.7 cm, 7.4"). 97, [1 (blank)] pp.
$225.00

Combe’s best-known satires, here in one of the earliest Irish
issues of the pair (being one of two Dublin printings from 1777). The poems are,
respectively, dedicated to the “worst man” and the “worst woman” in
His Majesty’s dominions. These works first appeared in London in 1776 and
1777, achieved instant notoriety, and went through numerous editions; another
sequel eventually followed, the Anti-Diabo-lady.
ESTC T77101; NCBEL, II, 647. Marbled paper–covered
boards, front cover with printed paper label. Half-title spotted, title-page
and two others stamped by a now-defunct institution, title-page also with
traces of paper affixed to upper margin; pages otherwise clean. One ESTC
listing calls for plates; most holdings, however, do not report any and
OCLC listings do not note any.
Saints
of
SIENNA
[Conti, Sebastiano &
Giambattista Ferrari]. Fasti senenses. [Senis: Per Academiam Intronatorum,
1660]. Folio (35.5 cm, 14"). *4 (-*1) **4 AZ4
AaMm4 1 (=*1). [1 (blank)], [7] ff., 279, [1] pp., [1 (errata)]
f.; frontis., 2 plts.
[SOLD]
Click the interior images for enlargements.
Saints can be quite a matter of local pride, and the Fasti
Senenses, compiled by two Jesuits, Sebastiano Conti (162396) and
Giambattista Ferrari (15841655), is a collection of biographies of the
Sienese saints, blesseds, and servants of God, arranged chronologically according
to their feast days on the local calendar. Entries range from St. Ansanus, a
martyr under Diocletian and patron of Siena, to a South American martyr, Horatio
de Vecchi, S.J., and include the most famous of Sienese saints,
St.
Catherine (not the only woman found herein).
The detailed engraved frontispiece, by “Gio. Batta Sintes” after
“Nicolo Gadim,” shows St. Catherine leading Pope Gregory XI back
into Rome after his decision to leave Avignon. There are also two finely engraved
plates by Guillaume Vallet. The first, after Raphael Vanni, shows the B.V.M.
looking down with favor on an allegorical figure of Siena. The other, after
Carlo Maratta, shows (under the title of this work) a woman watering the tree
of the arts from which cherubs gather fruit. This is the first of two editions,
a second having appeared in 1669. It is handsomely printed in a large roman
type with a few woodcut historiated initials and a tailpiece, and it is rare.
We
find only two copies reported.
Provenance: Huge (27.8
x 18.3 cm, 11" x 7.25") armorial bookplate of “William Stirling Maxwell”
on the front pastedown; his arms also appearing as a supra-libros
stamped in blind on the front cover, and his monogram similarly stamped on
the rear cover.
DeBacker-Sommervogel, II, 139091 & III, 678 (imprint
and authorship information found here). Vellum with two forms of supra-libros
as above, rebacked in leather toned to approximate vellum with gilt-stamped
maroon leather title-label and gilt-dotted raised bands; boards slightly sprung,
edges rubbed, vellum lightly soiled around edges. Pencilled notations on recto
of front pastedown, and further notation, in ink and denoting authorship,
on verso of front free endpaper. Pages lightly cockled; occasional foxing
and soiling; all edges speckled red. (4203)

“I am anxious you should do a writing portrait . . . ”
Cook, Eliza. A.L.s. (“Eliza”) to “My dear Sec.” London: 6 June 1860. 12mo (7.25" x. 4.5"). 1 p.
$275.00
Click the image for an enlargement.
Cook (1818–89) was
a Chartist poet, author, and proponent of political and sexual freedom for women. She writes, “I am again here for a few days . . . and want to know if you can receive me on Friday about eleven. I am anxious you should do a writing portrait to see which will afford you most satisfaction. I will bring the proofs of the sonnet with me.”
Provenance: Residue of the stock of Seven Gables Bookshop (1930–79), via the son of Michael Papantonio (2009).
Very good condition. Tipped onto a slightly larger sheet. With the integral blank. (25726)

Prudent
New England-Style DOMESTICITY
Cornelius, Mrs. Mary Hooker. The young
housekeeper's friend; or, a guide to domestic economy and comfort. Boston: Charles Tappan;
New York: Saxton & Huntington, 1846. 12mo (18.2 cm, 7.2"). 190 pp.
$550.00
Click the images for enlargements.
Uncommon first edition of this popular and oft-reprinted manual of cookery and
household management, aimed squarely at the middle class. The introduction encourages
kindness towards domestic servants; meanwhile, one of the earliest “counsels” for those young
women concerned about the responsibilities of their new lives is that “Good housekeeping [is]
compatible with intellectual culture” (p. 7). The very American — or more specifically, very
New England — recipes include fish chowder, Norwich loaf cake, Litchfield crackers, New
Haven sugar gingerbread, Salem plum pudding, etc.The endpapers bear several additional recipes pencilled in an early hand, including a
“Cure for Felon.”
American Imprints 46-1830; Bitting 100; Brown, Culinary
Americana, 1491 (1860 ed.); Cagle & Stafford 187; Lowenstein 399.
Publisher's quarter brown cloth and printed light green paper–covered sides; edges rubbed, sides
lightly stained. Endpapers as above; title-page with early pencilled annotation in upper portion;
foxing and staining, but no tears or tattering. In fact a good copy, the more interesting as
showing it was used. (26685)
A
Woman Dead
Yet
“Living”
Cox, Samuel Hanson. The dead are the living. A sermon preached on Lord's day afternoon, October 1, 1843, on occasion of the funeral of Mrs. Mary L., the wife of the Rev. Ward Stafford, A.M.[,] of this city. New-York: John F. Trow & Co., Printers, 1843. 8vo. 30 pp., [1 (blank)] f.
$25.00
A sermon and eulogy on the death of Mary Stafford “but a few years a wife . . . a disciple of Jesus Christ . . . an instructoress of youth.”
Good. Ex-historical society copy (rubber-stamps, "New Jersey Historical Society," on front cover and title-page). Pencil marks to front cover. Some chipping to front cover and first page. (290)
San Francisco Cookery in a
High-Flying Era
Craig, John C., ed. The recipe book of
Lillie Hitchcock Coit. Introduction by Carol Hart Field. Berkeley, CA: The Friends of the Bancroft Library, University of California, Berkeley, 1998. 8vo. [2 (blank)], frontis., 5–65, [5 (3 blank)] pp.
$20.00
Number 44 in the Keepsakes series issued for its members by the Friends of the Bancroft Library. One of eighteen hundred copies in this edition. The original manuscript recipe book of Lillie Hitchcock Coit—whose life is recreated by Carol Hart Field in the introduction—was acquired by The Bancroft Library in 1995, and is here edited by John C. Craig and transcribed by Barbara Hoddy.
The recipes collected by Mrs. Coit reflect the “cosmopolitan character of San Francisco” during the 1870's and 1880's and show “the influence of the French, Spanish, Mexican, and English traditions in the cookery of the period.”
Illustrated with a frontispiece portrait and one additional illustration.
Paperback. Fine. (5461)
Christianity
Abroad,
at Home, &
among the (Jewish?) Native
Americans
Crawford, Charles.
An essay on the propagation of the Gospel; in which there are numerous facts
and arguments adduced to prove that many of the Indians in America are descended
from the Ten Tribes ... the second edition. Philadelphia: James Humphreys, 1801.
12mo (18.3 cm, 7.2"). [1] f., 154 pp., [1] f. [with] Woodward,
William Wallace. Increase of piety, or revival of religion in the United
States of America; containing several interesting letters not before published.
Together with
three
remarkable dreams, in succession, as related by a female in the Northern Liberties
of Philadelphia to several Christian friends, and handed
to the press by a respectable minister of the gospel. Philadelphia: W.W. Woodward,
1802. 12mo. [1] f., 114 pp.
$750.00
Click the interior images for enlargements.
This volume opens with the second edition, following the first of 1799, of Crawford's rendition of the popular argument that the Native Americans sprang from the lost tribes of Israel. The author considered the North American tribes' alleged Jewish ancestry a special incentive for converting them to Christianity; and, though other opportunities for missionaries (such as in Sierra Leone and the East Indies) are discussed as well, the sections here on the plight of the Indians — on educational and work
projects conceived for them by Philadelphia Quakers, and the speech and letter of Seneca and Mohiconick (signed by “Sachems,” “Counsellors,” and “Owls” — are probably of greatest interest.
The second item here is the first edition of Woodward's collection of revival-themed letters to and from various clergymen, closing with an account of Mrs. Rebecca Ashburn's mysterious dreams. In these dreams a minister unknown to Mrs. Ashburn attempted to save her soul; she later identified her would-be converter as one Dr. William Rogers.
This work is very uncommon in print form. OCLC and NUC Pre-1956 find only five U.S. institutional holdings of this Philadelphia printing, although it is widely held in microform.
Essay: Sabin 17433; Shaw & Shoemaker 370; Rosenbach, American Jewish Bibliography, 123; Singerman, Judaica Americana, 0136. Increase: Shaw & Shoemaker 2587; Sabin 105172. Period-style half mottled calf and marbled paper–covered sides, spine preserving original gilt-stamped leather title-label. Title-page and first text page institutionally pressure-stamped. Pages lightly age-toned, somewhat more so in second work; one leaf with tear from outer margin extending into text. (25209)

Full Set of Her Works, Including
Villancicos in Nahuatl & an African Language
Cruz, Juana Inés de la, Sister. Poemas de la unica poetisa americana, musa dezima, Soror Juana Ines de la Cruz ... Tercera edicion, corregida, y añadida por su authora. [with others, as below]. Barcelona: por Joeph Llopis, 1691. 4to (21 cm; 8.25"). [8] ff., 426 pp., [5] ff. [with the same author's] Segundo tomo de las obras de Soror Juana Ines de la Cruz. Madrid: Impr. de Angel Pasqual Rubio, 1725. 4to (20 cm; 8"). [4] ff., 438 pp., [3] ff. [with the same author's] Fama, y obras posthumas del fenix de Mexico, dezima musa, poetisa americana. Madrid: Impr. de Angel Pasqual Rubio, 1725. 4to (20 cm; 8"). [10] ff., 352 pp., [2] ff.
$16,500.00
Click the images for enlargements.
“The Tenth Muse” to the Anglo-American audience is Anne Bradstreet, but throughout Spanish America and Spain, and in goodly parts of Europe, that sobriquet is associated only with Sor Juana Inés de la Cruz. Born in a small town in Mexico in 1651, she learned to read Latin before she was six. Denied admission to the Royal University in Mexico, she was to enter conventual life instead, develop a close friendship with the great colonial Mexican polymath Sigüenza y Góngora (the Cosmographer of New Spain), and write and publish the finest known poetry of the Spanish colonial empire in the period to 1821, as well as some plays and “Christmas carols.”
Uncontestedly she was the major New World lyric poet of the colonial era and she excelled in both spiritual and profane subjects.
For a sense of her range of subjects, click to enlarge our images. She invented a decasyllabic meter and cultivated dramatic poetry: Among her works are sonnets, redondillas, décimas, villancicos, and plays, as well as prose works, including the famous Carta athenagorica in which she criticizes the great Luso-Brazilian preacher and defender of the Brazilian Indians, Antônio Vieira. The contents here are mostly Spanish-language, but some portions are in Latin — and a few, as is seldom recognized, are in the black language of “Guinea” (e.g., Villancico VIII of the “Villancicos que se cantaron en la Sta. Iglesia Metropolitana de Mexico en honor de Maria Santissima Madre de Dios . . . y se imprimieron año de 1679") or in Nahuatl (e.g., Villancico V of the “Villancicos que se cantaron en la Santa Iglesia Metropolitana de Mexico, en honor de Maria Santissima Madre de Dios . . . año de 1687, en que se imprimieron”).
Sor Juana's individual works began to be printed in Mexico as early as 1677. Her “works” were soon gathered together, and in 1689 in Madrid there appeared Inundacion castalida de la unica poetica, musa decima (the title was changed the next year to Poemas de la unica poetisa americana, musa dezima, which it has remained ever since): This is now considered vol. I of her works. Vol. II (Tomo segundo de la obras de Soror Juana Ines de la Cruz) appeared in 1692 and the final volume (Fama y obras posthumas) in 1700. The issuance by one printer of all three volumes as a definite “set” seems not to have occurred until 1725; prior to that, printers issued individual volumes, or sometimes, vols. I and II alone.
In the offering here, vol. I was printed during the great poet's lifetime, and is one of the last to hold that distinction.
I: Palau 65222; Medina, BHA, 1870; Alden & Landis, European Americana, 691/74; Sabin 17735; this edition not in León-Portilla, Tepuztlahcuilolli. II: Palau 65237; Medina, BHA, 2540; Alden & Landis, European Americana, 725/111. III: Palau 65233; Medina, BHA, 2541; Alden & Landis, European Americana, 725/110. Vols. I and II in original limp vellum; III in modern red morocco, gilt extra. Some age-toning and foxing in vol. II; same volume with light worming, at times in text, at rear, costing letters but not words.
With slight faults only, this is a handsome set of this major writer's works. (26753)
Cruz, Juana Inés de la, Sister.
Manuscript
Document Signed. In Spanish, on paper. Mexico City, 21 November
1692. Folio (31.3cm; 12.25"), 1 p. (in a larger document extending to 4 pp.)
$17,500.00
"The Tenth Muse" to the Anglo-American
audience is Anne Bradstreet, but throughout Spanish America and Spain, and in
goodly parts of Europe, that sobriquet is associated only with Sor Juana Inés
de la Cruz. Born in a small town in Mexico in 1651, she
learned to read Latin before she was six. Denied admission to the Royal University
in Mexico, she was to enter conventual life instead, develop a close friendship
with the great colonial Mexican polymath Sigüenza y Góngora (the
Cosmographer of New Spain), and write and publish the finest known poetry of
the Spanish colonial empire in the period to 1821, as well as some plays and
"Christmas carols."

In the year before her pen is silenced and less than three before she falls
victim to the plague while caring for her sick Sisters, Sor Juana
attests to a legal document concerning her convent’s economic investments.
She was the nunnery’s contadora (bookkeeper). By way of horribly
evocative contrast, opposite her signature on the facing page is that of Francisco
Aguiar y Seijas, Archbishop of Mexico, the misogynist who caused her to give
up her writing and quasi-secular ways.
Able to bully the most gifted member of his religious community only following
the return to Spain of her last viceregal patron and protector, the Marquis
de la Laguna, Aguiar y Seijas applied increasing pressure to Sor Juana and
the prioress of her Hieronymite convent. It took him from 1688 until 1693
to put “la decima Musa” “in her place.”
Documents signed by the polymath Sor Juana are very rare and highly sought
after; this one desirably shows the trust her Sisters placed in her.
The
pairing of her signature with her arch enemy's is chilling and visually impactful.
In very good condition.
“This
Teaches Us . . . ”
Daskam, Josephine Dodge. Fables for the fair. New York: Charles Scribner's Sons, 1902. 8vo. vi, 125, [1] pp.
$27.50
Early edition, following the first of the previous year, of these charming fables "for the fair sex."
Signed binding with unfortunately unidentifiable initials! Publisher's quarter brown cloth over paper-covered sides, printed pictorial paper front cover, spine with gilt-stamped title; cream-colored paper slightly darkened,
with very minor rubbing over corners. (15006)

A Practical Yet Picturesque View of
the U.S. & Canada
De Roos, Frederick Fitzgerald [a.k.a. De Ros, John Frederick Fitzgerald]. Personal narrative of travels in the United States and Canada in 1826 ... with remarks on the present state of the American Navy. London: William Harrison Ainsworth, 1827. 8vo (21.8 cm, 8.55"). xii, 207, [1] pp.; 14 plts. (1 fold.).
$550.00
Click the images for enlargements.
First edition. The author (whose name is given here as Fred. Fitzgerald
De Roos, but often cited as John Frederick Fitzgerald De Ros), was at the time
of this publication a lieutenant of the Royal Navy. His American journey took
him from New York through New Brunswick and Trenton to Washington and Baltimore
before heading back north through Philadelphia and Boston to reach Nova Scotia
and Canada; in his travelogue, the author proves himself a curious yet gentlemanly
observer not only of America's shipbuilding, marine affairs, and naval strength,
but also of her customs, culture,
women,
and interactions with “the conquered Indian” (p. 165).
The volume is illustrated with
an
oversized, folding panoramic view of Quebec along with 13 other plates,
including two maps of the Niagara Falls region; views of Bristol, DE, and
Chester, MA; and a bucolic depiction of the “Water Works of Philadelphia
on the Schuylkil,” all engraved after De Roos's own designs.
Binding:
Contemporary hunter green diced calf, covers framed in gilt double fillets
and an interior blind rule with small gilt-stamped corner fleurons; spine
gilt extra in five compartments. Board edges and turn-ins decorated with gilt
rolls; rich blue marbled endpapers; all edges marbled.
Howes D268; Sabin 19677. Binding as above, corners/joints
scuffed and back joint starting from head; spine a little sunned, evenly and
attractively. Scattered light foxing, pages and plates otherwise clean.
An
admirable book in a nice copy. (26665)

Illustrated Explorations of the
Countryside
Dibdin, Charles. Observations on a tour through almost the whole of England, and a considerable part of Scotland, in a series of letters, addressed to a large number of intelligent and respectable friends. London: G. Goulding & John Walker (pr. by T. Woodfall), [1801–02]. 4to (28.9 cm, 11.4"). 2 vols. I: 404 pp.; 27 plts. II: [2], 406, [2] pp.; 33 plts., 1 fold. map, 1 fold. chart.
$750.00
Click the images for enlargements.
First edition, published in parts, of Dibdin's epistolary account of his travels as a performer in the provinces. Charles Dibdin the elder was a famed but controversial singer, songwriter, and actor who spent a significant amount of time touring the countryside in an attempt to improve both his reputation and his income; in these Observations he includes remarks on the history, natural history, geography, famous natives, trade and manufacture, and customs of the towns and villages he passed through, as well as on various theatrical, literary, and cultural topics near and dear to his heart. He also denounces circulating libraries, watering places, and female boarding schools (in all three cases due to their detrimental effects on morals), as well as quack medicines and incompetent amateur performers.
The two volumes are
illustrated with 60 copper-engraved and aquatint plates, one folding map, and one folding chart. The copper engravings are done in two different styles; one set consists of large renditions of scenery, the other of smaller depictions of people and everyday life — the former done from Dibdin's own paintings, and the latter from drawings by his daughter Anne.
Anderson, Book of British Topography, 373; Lowndes 638; NSTC D1044. Not in Abbey, Life in England; not in Ray, The Illustrator & the Book in England. On Dibdin, see: Oxford Dictionary of National Biography online. Recent quarter caramel morocco and ochre cloth. Light to moderate foxing; mild offsetting around plates; four pages with patch of offsetting from now-absent laid-in item. Plates depicting people all with small area of waterstaining to upper inner portions, just touching corner of platemark without affecting images; scenic plates unaffected. All edges marbled.
A solid, handsome, satisfying set. (26939)

Who
Wrote the
Book
of Mormon?
Dickinson, Ellen E. New light on Mormonism. New York: Funk & Wagnalls, 1885. 8vo. [8], [11]–272, 16 pp.
$100.00
First edition. An exposé related to the Rev. Solomon Spaulding, whose “The Manuscript Found” is claimed by some to be the source of the Book of Mormon. With an introduction by Thurlow Reed. Publisher's catalogue in the back.
Beyond matters of authorship, there is quite a lot of general Mormon history here, including a good deal on polygamy; the perspective is not friendly.
Provenance: From the libraries of the Rev. C. C. Bitting and Crozer Theological Seminary.
Flake & Draper 2832. Publisher's green cloth, spine chipped at head and foot. Title-page separated from binding, but present; shallow chipping along edges. Short closed tears to top edge of pp. 29–32 and 103–106 and outer edge of one page chipped; several page corners chipped/creased. Ex-library with bookplate, card and pocket, pressure-stamp on title-page, inked numeral, penciled notation, two rubber-stamps. A few penciled check-marks. (24434)
Dickinson, Emily. Letters of Emily Dickinson. New York and London: Harper & Brothers, [1931]. 8vo (22.4 cm, 8.75"). xxxi, [1] pp. [1] f., 457, [1 (blank)] pp.; 19 plts (incl. frontis.).
$100.00
Second edition, third printing: edited by Mabel Loomis Todd, this is illustrated with photographs of persons mentioned and specimens of Emily Dickinson’s autograph. BAL 4685. Handsome green publisher’s cloth; front cover gilt-stamped with title at top and Indian Pipes in lower right corner: corners rubbed with a little loss of cloth. Some very shallow chipping on corners, and traces of soiling on edges and endpapers. An attractive book.

Earnest & Illustrated
Duchaussois, Pierre. The Grey Nuns in the far north. Toronto: McClelland & Stewart, (copyright 1919). 8vo. [4], 287, [1] pp.; illus.
$35.00
Click the images for enlargements.
Sole edition of this English translation of Les soeurs grises dans l'extrême-nord, an account of a Canadian mission. As the nuns must get to the North, this has aspects of a travel; it has often a good deal to say about Native Americans, and certainly it demonstrates one aspect of “contact.”
This is illustrated with a good many half-tones.
Publisher's green cloth, front cover and spine with black-stamped title; spine sunned and with inked call number, spine head chipped, corners slightly rubbed. Front pastedown with institutional bookplate, front free endpaper faintly rubber-stamped. (24822)
Daughter Jean is the
Interesting
One
The Duke of Gordon's daughters. To which is added, The challenge. Stirling: W. Macnie, [1820-1830]. 12mo. 8 pp.
$95.00
Fairly uncommon edition of a popular ballad, here with a woodcut title-page vignette of a man about to cut down a tree with an axe. “The Challenge” begins: “You Gallic Gasconaders, / Your boats of war prepare, / And prove yourselves invaders, / Of Britain if you dare.”
NSTC 2G14282. Removed from a nonce volume. Pages slightly age-toned, with some minor offsetting to first and last leaves, else clean. (16823)
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