
On 4 July 1776 only two signatures were affixed to the unanimously adopted Declaration of Independence — those of John Hancock, president of the Congress, and Charles Thomson, secretary, in order to authenticate the document that had been voted on and approved. Yet by a curious twist of fate (read rather, surely, of a political enemy's knife), when the calligraphic copy that is so well known to every school child was ready shortly after 19 July, authenticator Thomson was not invited to sign it!
When he had retired from public life in 1789, Thomson was to turn his interest in the Bible and Greek to the 20-year task of producing this monumentally important work.
Its printer was the daughter of Robert Aitken, who had printed the first Bible in English in America. A major edition of the English Bible, this is essential for any Bible collection, not just for collections of American Bibles — though as an American Bible and simple Americanum it has a revered place. Rumball-Petre, Rare Bibles, 184; Hills 153; Herbert 1514; O'Callaghan 91–92; Shaw & Shoemaker 14486. On Thomson, see: Dictionary of American Biography, XVIII, 481–82. Modern full black morocco, signed “GB” (Grace Bindings). Gilt spines. Black endpapers. The effect, richly elegant. Faintly visible pressure-stamps of a library (properly deaccessioned), each volume with neatly pencilled collection note and small old inked 5-digit number to first text leaf; in fact a remarkably clean, ever–well cared for, and handsome set. (26019)

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Arndt
lists three states for this edition, of which this appears to be C, based on
the absence of a two-leaf addendum giving a short history of Bible translation—that
a buyer could choose to have bound in or not.
Rumball-Petre, Rare Bibles, 159; Darlow & Moule 4240; O’Callaghan 22; Wright, Early Bibles of America, 24–44; Evans 5127–28; Sabin 5191; Arndt, The First Century of German Language Printing in the United States of America, 47C; Hildeburn, The Issues of the Press in Pennsylvania, 1685-1784, 804. Contemporary calf over bevelled boards. Binding scratched and abraded with tears to spine leather. Hinges (inside only) open. A printed poem has been affixed to the front pastedown, over a strip of cloth. Ownership inscriptions in German (in gothic cursive) and English on endpapers. Pp. 1–2 with loss of part of margins, some text, and part of headpiece, repaired with paper. Lightly age-toned with darker brown-spotting, some waterstaining, occasional dog ears, and some holing or chipping in the margins—some of the latter repaired with paper. First two leaves, i.e., main title-page and preface supplied in facsimile; the New Testament title-page is present.
Provenance: Old inked inscription of John Ebersole, dated 1793, on front free endpaper; later pencilled signatures of Anna Ebersole and another person to pastedown.
Evans 9602; Hildeburn, Pennsylvania, 2045; Arndt & Eck, First Century of German Language Printing in the U.S., 296; ESTC W20981. Contemporary calf with one clasp working and a remnant of the other; moderate rubbing to covers, leather on spine showing flex marks from the tight-back binding. Later spine labels. Faint library pressure-stamp on title-page; signatures as above. Age-toning and some staining; in fact the paper in cleaner condition than is often seen. (25959)

The volume opens with a woodcut portrait of Martin Luther which according to Hamilton (cited in Reilly [see below]) “might have been made by Justu Fox who was working in Philadelphia at this time.”
Evans 11714; Hildeburn, Pennsylvania, 2561; ESTC W21005; Warrington, History and Practice of Psalmody in the United States, p. 39; Reilly, Dictionary of American Printers' Ornaments & Illustrations, 1577. Contemporary sheep, rebacked some time ago, spine with gilt-stamped leather title-, place, “Chris. Saur,” and date labels; rubbed in the ordinary degree and with remnants of clasps. Back free endpaper lacking; pastedowns and blanks with old inked and pencilled signatures and writing practice(?) — which we do not make out much of, beyond “Johann(es).” Three leaves each with closed tear from outer margin extending into text; three index leaves with tattered outer edges, one with loss of lower outer portion; small section of pages with odd little dent to outer edge; last leaf present (and that leaf only) with a couple of pin-type wormholes; final leaf lacking. Pages age-toned, with moderate spotting and staining. Priced according to its described “issues,” not according to its considerable charm on shelf and in hand. (25105)

Provenance: Front free endpaperswith inscription reading “Mary Miller — Greenwich No. 2 10mo [?] 1st 1837.”
Hills 114; Shaw & Shoemaker 5850. Contemporary sheep, abraded, with leather cracking over spines and joints cracked or cracking; spines with gilt-stamped leather title labels. Vol. III lacking first contents leaf; vol. IV lacking front free endpaper and preliminary blank. Occasional spots of foxing and varying degrees of age-toning; some leaves with edge chips.
Hills 259; Shaw & Shoemaker 30867. Contemporary treed sheep, spine with gilt-ruled raised bands and gilt-stamped leather title-label; binding rubbed, front joint cracked, back joint starting from top, spine extremities chipped. Front pastedown with private collector’s small bookplate, title-page with early inked ownership inscription in upper margin. Pages age-toned.
Provenance: The family register leaves record that one Peter Paul Shank, presumably the Bible's original owner, outlived three wives (born in 1833, he married in 1857, 1896, and 1903, and died in 1913 in Mineral Springs, NY). The birthdates of Shank and his wives are all listed, but no offspring are recorded.
Binding: Publisher's deluxe embossed brown roan in imitation of morocco, covers with central medallions surrounded by ivy motifs, spine with gilt-stamped title and blind-tooled knotwork and floral decorations.
Hills 1796. Not in Wolf, From Gothic Windows to Peacocks. Binding as above, minor rubbing to joints, edges, and extremities. 64 pp. of appended material (index, concordance, metrical Psalms) lacking, with Biblical text and index complete; four plates (of six) lacking, with no indication of their ever having been present. Sewing loosening; first few leaves partially separated. Pages age-toned with some foxing. Front free endpaper torn from outer edge; one leaf with tear from outer margin, extending into text without loss. (24453)
We offer a copy of the last of those variants — the decidedly rare
Signers’ Edition. Bound in full morocco, it contains
two
original Bible leaves, one from the Old and one from the New Testament.
(The “Colonial Edition” contains only one leaf, from the Old Testament,
and it was bound in quarter leather.)

Not content merely to double the ordinary offering of Aitken Bible leaves,
the Signers' Edition added
a
special insert on Benjamin Franklin that contains a third original leaf
— this from Franklin's 1745 printing of the Confession of Faith
— being, in this copy, the start of ch. XXVIII, “On Baptism.”
Found only here in the Signers’ Edition, in addition to the standard (and handsome) facsimile of a 3-page letter from George Washington, are a facsimile of Aitken's printing of the Declaration of Independence and a special frontispiece that presents facsimiles of all of the signatures of the signers of the Declaration of Independence.
All editions of this fine leaf book end with Edwin Grabhorn’s still-notable essay on typography in America at the time of the Revolution.
Full crushed morocco, some spots to covers and without the slipcase; clean, and quite a good copy. (10453)