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16TH-CENTURY BOOKS

[ENCOMPASSING THE REFORMATIONS]
A-B
C-H
I-P
R-Z
The Augsburg Confession — 51 Documents
The First Much Annotated
(“A”
is for “AUGSBURG”). Chytraeus, David.
Histoire de la confession d'Auxpourg, contenante les principauls traittez &
ordonnances, faittes pour la religion, quand l'electeur Iehan, duc de Saxe auec
les citez & autres princes protestants presenterent leur confession de foy
(icy inserée) a l'Empereur Charles V. os estats generauls de l'empire,
tenus a Auxpourg, 1530. Anvers: Chez Arnould Coninx, 1582. 4to (24.3 cm, 9.55").
[8], 835, [5] pp.
$2875.00
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Uncommon sole edition: The first French translation of the Historia Augustanae Confessionis, published in 1578. This collection of 51 documents laying out the chief principles of Lutheran doctrine was edited by Chytraeus and translated into French by Luc le Cop, a Savoyard living in Antwerp.
Provenance: Front pastedown with small bookplate of William Jackson, an important collector whose substantial library was auctioned by the Harrassowitz firm in 1910.
Brunet 22420; Graesse, II, 154. Not in Adams. 19th-century quarter olive morocco with marbled paper–covered sides, spine with gilt-stamped author/title; edges and extremities rubbed. Top edge gilt. Front pastedown with bookplate as above; title-page and first text page each with early inked ownership inscription. Four leaves with small repaired tears from outer margins and three likewise
from upper margins, not touching text in any case. Extensive early inked marginalia in first document, scattered examples elsewhere. (23536)
This entry is repeated in the
“CH” section of this
catalogue . . .

UPBRAIDING a Lutheran Theologian for
His Statements on Transubstantiation
Ad frivolas calumnias, et cavillationes sophisticas Danielis Hoffmanni doctoris theologiae responsio ministrorum Ecclesiae Bremensis, qua monetur Hoffmannus, ut suo se pede metiens, & secum habitans, ad sobrietatem sapere discat, neque supra quam sapere opertet, sapiat. Bremae: ex officina typographica Theodori Glückstein, 1584. Small 8vo (16.2 cm; 6.25"). [32] ff.
$775.00
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Daniel Hoffmann (1538–1621) seems to be remembered now for having engaged in disputes in which he ended up making frivolous and indefensible assertions. The present publication arose from his statement concerning transubstantiation during a debate with other Lutheran theologians.The text is in Latin printed in italic, but with some passages in Greek and others in German (the latter printed in fraktur). One final section is entirely in Greek.
There were only two editions of this printed, one year apart. This is the second (1584) and is apparently much scarcer than the first (1583): It is not listed in VD16 and WorldCat finds only two copies worldwide, one of which has been deaccessioned.
VD16 A184 (for 1583 ed.). Recent ebony-brown calf old style: Round spine, fillets extending onto covers terminating in trefoils, and covers framed in blind double fillets. Very good condition. (26755)
Agricola, Johann. Siebenhundert und funfftzig deutscher sprüchwörter ernewert und begessert durch Johan. Agricola. Mit vielen schönen lustigen und nützlichen historien und exempeln erkleret und ausgelegt. Wittenberg: Gedruckt bey J. Krafft, 1592. Small 8vo. )(8 *8 A–Z8 Aa–Xx8 (-Xx8, a blank) [14], 350 ff.
$1200.00
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Last 16th-century edition (first was 1541) of Johann Agricola's work on German proverbs, their origins, meanings, and current uses. He is best remembered as a theologian who was a leading figure of the Antinomians, at first a friend of Luther’s and later a bitter opponent who after Luther’s death worked with Roman Catholic authorities in forming the Augsburg Interim.
All 16th-century editions are scarce. Via NUC, OCLC and RLIN we locate only this copy of this edition (now deaccessioned) and that at Princeton.
Binding: Contemporary alum-tawed sheep over wooden boards with partially bevelled edges. Elaborately blind-embossed with a roll and a center panel ornament. Front cover with initials “H. S.” and date “1597” in gilt. Rear cover with gilt putti in the areas where initials and the date appear on the front.
Evidence of readership:
Marginalia in the prefatory index; very scattered early underscoring.
VD16 A969; Goedeke, II, 8. Binding as above, lacking clasps and with old paper spine label; ex-library with bookplate and call number in old, faded, white numbering on spine. Title-page browned and tipped in; loss of paper to fore- and bottom margins of same. Some age-toning to paper and several leaves with natural paper flaws, repaired with archival tissue; three other leaves also with natural paper flaws repaired at time of binding or shortly after printing. Approximately 12 leaves with inkstains, sometimes obscuring text. One leaf (178) with a hole costing a significant loss of text. A marginally acceptable copy as regards text, in a good binding.
Reformation Concern about
Monasticism
Ain Schoner Dialogus wie ain Bawr mit aim Frawe[n] brüder Münch redt[,] das er die Kutten von jm würfft, vnd dem Münch arbayt zügeben, lustbarlich vnd lieblich zu lesen. [Augsburg: Philipp Ulhart d.Ä.], 1525. Small 4to (19 cm; 7.5"). 6 pp.
$900.00
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Monasticism and the nature of religious orders was a key early topic of debate during the first decade of the Reformation, and this “pretty dialogue” was one in the body of literature on the topic. There were three editions, all printed in 1525 (one each at Strassburg, Augsburg, and Würzburg).
This edition has a handsome, single-unit woodcut title-border incorporating pillars, stags, vines, and cherubs. The text is in fraktur, of course.
Rare: WorldCat locates only one copy of any edition in the U.S. (at Emory — this edition), while VD16 locates three German copies each for the Augsburg and Würzburg editions and only a microform of the Strassburg printing.
Kuczynsk 579; VD16 S3433. Removed from a nonce volume. One small area of discoloration on title-page. Very good condition. (25922)

Anti-Anabaptist
Althamer, Andreas, attrib. author. Ein kurtze Vntterricht, den Pfarherrn und Predigern: Inn meiner gnedigen Herrn der Marggraffen zu Branndenburg. [et]c. Fürstenthumben un[d] Landen, hieniden in Francken, und auff dem Gebirg verordent, wes sie das Volck wider etliche verfürische Lere, der Widertauffer, an den Feyertägen auff der Canntzel, zum getreülichsten und besten, auss götlicher Schrifft vermanen, und unterrichten sollen. [Nuremberg: Jobst Gutknecht, 1528]. Small 4to (20 cm; 8.75"). [14] ff.
$975.00
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Althamer (1498–1564), a Lutheran minister, was a strident opponent of the Anabaptists. This work, written at the behest of Margrave George of Brandenburg, who after publication had it distributed to all pastors and preachers in his realm, aims to prove the doctrine of infant baptism from the Old Testament and in doing so ties it directly to circumcision as a sign of the divine covenant and grace.
During the Bern Disputation (1528) Althamer stood and defended the Lutheran doctrine of the Lord's Supper.
This is printed in gothic type and offers a title-page graced by a four-element woodcut
border composed of floral, avian, and animal motifs, with putti not forgotten.
Provenance: Ownership signature on title-page of Howard Osgood, noted late 19th- and early 20th-century collector and scholar; old circular pressure-stamp on same page of a seminary (properly released).
WorldCat finds two copies in North America, one of which has been deaccessioned, and COPAC finds two copies in Great Britain, both at the British Library.
Hillerbrand, Anabaptism,3577; VD16 ZV2334 or ZV2333 or B6972 (all listed without attrib. author). Removed from a nonce volume, provenance indications as above. Light dust-soiling to exterior paper; minor library pencillings and one old inked numeral; limited brown stain in blank area of last leaf, offsetting to previous page opposite. A few instances of marginal notation or textual correction in old ink and an old hand. (25960)

A Classic in
Classic Renaissance Form
Ariosto, Lodovico. Orlando furioso ... ornato di nuove figure, & allegorie in ciascun canto. Venetia: Gio. Andrea Valuassori detto Guadagnino, 1556. 4to (21.6 cm, 8.5"). [1], 274 (168 & 169 lacking), [19] ff.; illus.
[SOLD]
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Much coveted in 16th-century illustrated editions, Orlando Furioso is an epic poem that various Renaissance artists illustrated and that printers issued often. Appended to it in this edition is the “Espositione di historie, favole, allegorie, et di vocaboli difficili, che nell'Orlando Furioso si contengono,” a glossary and textual comparison.
The text here is set almost entirely in italics, and ornamented with numerous large woodcuts and decorated capitals; the title-page appears within an elaborate allegorical and architectural frame. Essling says “la riche illustration” was done in imitation of the Giolito and Valgrisi editions.
This copy shows signs of enthusiastic appreciation and readership; three damaged leaves have been partially or wholly supplied from another edition, and in one case two and a half paragraphs of lost text (including a complicated and elegant decorated capital) have been rendered in a very neat, precise, early inked hand.
Provenance: Front free endpaper with early inked ownership inscriptions including that of G. Santini; title-page with early inked inscription (lined through) in lower margin and with Santini's small oval rubber-stamp monogram at center; one other page similarly rubber-stamped.
Brunet, I, 435; Essling, Les livres à figures vénitiens, 115; Graesse, I, 198; Index aurel. 107.474. This ed. not in Adams, not in Mortimer. Sophisticated copy. Contemporary vellum, neatly and unobtrusively rebacked; sides dust-soiled, corners rubbed. Hinges (inside) reinforced; ownership marks as above. Title-page repaired, with small portion of image lacking, inner margin reinforced, and some reinforcements affecting sharpness of image; two leaves supplied from another edition and ff. 168 and 169 lacking; one leaf with upper border portion of image supplied and another with capital and several lines of text hand-inked as described above. Staining and spotting variously, generally light; a few early inked marks of emphasis, and scattered marginalia in Italian.
An appealing “book for the busted bibliophile” as a solid volume offering both charm and signifcance and a lowered price. (26560)
A
Handsome
Dated
Binding — Initials,
“A.W.” — 1539
Arrianus.
[three lines in Greek, romanized as] Arrianou Peri Alexandrou anabaseōs
historiōn biblia oktō. [then in Latin] Arriani De expeditione sive
Rebus gestis Alexandri Macedonum regis libri octo, nuper & reperti, &
quàm diligentissimè in lucem editi. Historiam quoque eandem, olim
quidem a Bartholomaeo Facio latinitate donatam, nunc vero ... mendis repurgatam,
hic adiungi curavimus ... Basileae: [Robertus Winter, 1539]. 8vo.
Vol. 1 of 2. 13, [1] pp., [321] ff. (lacks last 8 leaves).
$950.00
Click the middle and righthand images for enlargement.
The author's most important work, written after the example of
Xenophon's Anabasis, this is an account of Alexander the Great, and of
India and Iran in his time. The edition bears a prefatory epistle by Nicolaus
Gerbel (1485–1560), its editor.
Present here is vol. I containing the original Greek text, the Latin translation
having been printed in a separate volume. Incomplete at the end, it lacks
the final eight leaves or the last part of the Indica (37.3–43.14),
only, with Arrian's Anabasis Alexandrou (Campaigns of Alexander)
appearing
complete
as Books 1–7.
Binding:
Contemporary alum-tawed pigskin over bevelled boards, remnants of the metal
closures. Covers elaborately blind-embossed with several rolls and devices.
Front cover has in its center panel the initials “A. W.,” the
date 1539, and medallions of Manfred of Saxony and Luther, while the rear
cover's center panel has medallions of Melanchthon and Erasmus.
Graesse, I, 227; Legrand, Bibliographie hellénique,
III, 388; Adams A2009. Binding toned to a pleasing dark tan. Old bookplate
on front pastedown. Front free endpaper torn with loss. Vol. I only, and lacking
those final eight leaves; the Anabasis complete. (20418)
Two
Church Fathers
Two
Scholar Printers
An
Apparatus by Erasmus
Athanasius, Saint, Patriarch of Alexandria. Athanasii Episcopi Alexandrini sanctissima, eloquentissma que opera ... que omnia olimia[m] latina facta Christophoro Porsena, Ambrosio Monacho, Angelo Politiano, interpretibus, una cum doctissima Erasmi Roterodani ad pium lectorem paraclesi. [bound with another work as below]. Parisiis: Joanne Paruo [i.e., Jean Petit] , [1519]. Folio extra. [6], 255, [66] ff. [bound with] Basil, Saint, Bishop of Caesarea.
Basilii Magni Caesariensium in Cappadocia Antistitis sanctissimi opera plane diuina, variis e locis sedulo collecta: & accuratio[n]e ac impe[n]sis Iodici Badii Asce´sii recognita & coimpressa, quorum index proxima pandetur charta. [Paris: Venundantur eidem Ascensio [i.e., Badius Ascensius, 1520]. Folio extra. [10], 178 ff.
$3850.00
Click any image where the hand appears on
mouse-over, for an enlargement.
Two editions of Church Fathers from two scholar/printer presses. St. Athanasius's text was translated into Latin by three noted Renaissance scholars, edited by Nicholas Beraldus, and has the added prestige of apparatus by Erasmus. The title-page is printed within a four-piece woodcut border, with the title in red and black, and the page bears the famous Petit printer's device. The text enjoys handsome typography, side- and shouldernotes, and large woodcut initials.
The St. Basil is from Badius Ascensius's press and he acted as the editor, the translators having been Johannes Argyropoulos, Georgius Trapezuntius, and others. The title-page uses the same four-part woodcut title-page border as found on the St. Athanasius, bound in at the front, which makes much sense given the familial relationship between Ascensius and Petit.
Athanasius: Index Aurel. 109.388; Moreau, II, 1982. Basil: Index Aurel. 114.440; Renouard, Ascensius, II, 145/146; Moreau, II, 2246. Alum-tawed pigskin, elaborately tooled in blind over wooden boards with metal and leather clasps; one clasp perished. Binding with one corner tip broken off; small hole in leather on rear board; dust-soiled. Inside, some early marginalia and underlining in red; narrow arc of old, light waterstaining to fore-edges of one part. Pages generally very clean. (19915)

“Opera quae exstant”
NOT
Basilius Seleucensis. [five lines in Greek, the] B. Basilii
Seleuciae Isauriae Episcopi, qui I. Chrysostomo contubernalis fuit, Opera quae exstant. [Heidelberg]: In bibliopolio H. Commelini, 1596. 8vo (16.5 cm; 6.5"). 8, 408 pp.
$650.00
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One of several editions all printed in 1596, all bearing the same title, and all claiming to be “Opera quae exstant,” but differing in significant ways: Some editions are in Greek and Latin; some have as place of printing “Lugduni” and others have no place. The present edition contains only the homilies and is entirely in Greek.
Provenance: Early 19th-century armorial bookplate of Robert Chambers; manuscript ownership “Ex libris G.R.W.”— William R. Wittingham, fourth Anglican bishop of Baltimore (a Latinophile who used “Guillelmus” for “William”), dated Sept. 22, 1856; later in the diocesan library of Maryland; deaccessioned 2006.
VD16 B 727. Contemporary limp vellum with evidence of ties; slightly yapp edges. Occasional light foxing. 19th-century library stamps on the front free endpaper and title-page. A clean solid copy. (24432)
Bede's
Commentary on
OLD
Testament Books
Bede,
the Venerable, Saint. Bedae presbyteri Anglosaxonis,
theologi suo aevo celeberrimi, Opus planè nouum. Cui insunt In Samuelem
prophetam, id es Regnorum primum, libri IIII ... En nouam operum Bedae portiunculam
tibi candide lector damus, iamprimu[m] ex vetustissimo corruptissimoq[ue] codice,
qui unicus nobis fuit, typis nostris ea qua potuimus diligentia transformata[m],
quam si probare te senserimus, eiusdem longe maiora, quae penes nos sunt manu
scripta, propediem exhibituri sumus, illis interim felix fruere. Basileae: [colophon:
Per Andr. Cratandrum et Ioan. Bebelium], 1533. Folio (29.5 cm; 11.75"). [4],
195, [1] ff.
$1500.00
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First edition of commentary on the Old Testament books of Samuel, Kings, Ezra,
Nehemiah, and Tobit from the pen of the Venerable Bede (673–735). Also included here is his
De tabernaculo, eius uasis, ac sacerdotum vestibus, lib. III. The texts are printed in roman in
double-column format with side- and shouldernotes. Chapter headings are in italics and they
begin with historiated woodcut initials.Johannes Bebelius’ printer’s device appears on the title-page and on the verso of the final
leaf, while the errata are printed on the verso of leaf 195, just above the colophon.
Evidence of readership: Faded sepia marginalia and/or underlining on folios 154, 155, 156.
WorldCat locates only six copies in U.S. libraries, one of which has been deaccessioned.
VD16 B3048. Full dark modern calf old style, green leather
spine label; spine with raised bands accented with blind rules extending onto covers to terminate
in trefoils, and simple blind double fillets to covers; title-page reinforced at inner margin, lightly
soiled. Pinhole worming, on most pages in lower margin; occasionally in text touching a letter
but not costing text. “Elenchus” leaves with light waterstain to upper outer quadrant; same in
inner upper and upper margins of commentary most notable from folios 100 to end, where at
times it is brown and into the text of the inner columns. (26539)
BIBLES
French
Woodcut-Illustrated
Contemporary
Binding
Bible.
Latin. Vulgate. 1513. Biblia cum concordantiis veteris et novi testamenti
necnon et iuris canonici. Lugduni: M. Jacobum Sacon, 1513. Folio (34.5 cm, 13.5").
aa8 bb6 a–z8 A–Q8 R6
AA–BB8 CC10 (-aa1, CC9,10); [13], CCCXVII, [25] ff.
(lacking title-page & last 2 ff. of the Interpretationes).
$4750.00
Click any image where the hand appears on
mouse-over, for an enlargement.
Revised edition, following the first of 1506, of Jerome’s Vulgate as printed by Jacques Sacon for Anton Koberger of Nuremberg. Darlow and Moule note that Sacon “reprinted the best contemporary editions,” for example Kerver’s 1504 Paris edition.
This Bible is illustrated with
two full-page and 130 in-text woodcuts (including some repeated images), a few of which have early hand-coloring, mostly but not entirely in green or
yellow. One full-page cut shows the six days of Creation — partially hand-colored in green, brown, red, blue, and yellow — while another depicts the manger scene. The text is followed by the Interpretationes nominum hebraicorum, a dictionary of Hebrew names often appended to manuscript and early printed Bibles.
Scarce: OCLC and RLIN report two holdings, both in the U.S.
Binding: Contemporary blind-tooled, alum-tawed pigskin over beech boards, elaborately worked using embossing rolls with religious vignettes and busts. Covers with etched metal corner bosses and remnants of leather and metal clasps.
Adams B988; c.f. Darlow & Moule 6101 & 6091. Binding as above, spine with hand-inked title; overall dust-soiled and darkened with several short tears to leather; leather no longer tight to the boards. Straps, clasp locking-mechanisms, and lower front metal corner now lost. Title-page and final two ff. of Interpretationes lacking; front pastedown separated from board and back pastedown lacking. First and last few leaves with insect damage to outer edges. First text page (contents) with old institutional rubber-stamp and shadow of pencilled numeral. A few leaves separated; a number of leaves with short tears from lower margins, a few extending into text, in many cases with traces of old repairs. Two leaves with lower outer corners torn away, one repaired some time ago. Pages age-toned, some waterstained. Scattered contemporary inked marginalia; some light underlining and a few instances of early inked doodling.
Despite its faults, this is rare and imposing.
Bible.
Latin. Selections. Peckham. 1514. Diuinarum sententiarum libro[rum] Biblie ad certos titulos redacte collectariu[m], ingenio siquide[m] eruditissimi sacris literis assuetissimi viri ... Joha[n]nis de Pechano ... compilatu[m] ... Parisius: Venales reperiu[n]tur in vico diui Jacobi ad intersignium diui Claudii [Francois Regnault], 1514. Small 8vo (14.5 cm; 5.875"). AA8 BB4 a–z8 [et]8 A–H8 I4 (-AA1); [11 (of 12)], cclxi [i.e., 260] ff. (without the title-leaf).
$3500.00
Also known as Collectarium sacrae Bibliae, this is only
the second edition, the first having appeared earlier the same year at the suggestion
of John Fisher (1459–1535), of this medieval compilation from the pen
of the archibishop of Canterbury (d. 1292). An epitome and a particular one,
it saw considerable acceptance if the number of surviving manuscript copies
(whole or partial) are testimony.
All
initials are highlighted in red.
Click the images for enlargements.
Binding: Contemporary
Flemish panel-stamped binding, calf over bevelled boards with remnants of brass
and leather clasp. Each cover embossed twice with a panel featuring medallions
of mythical and other creatures; thus, the panel is used four times. Binding's
front pastedown not present, which exposes the board, turn-ins, and details
of the volume's sewing structure; the rear pastedown consists largely of an
older
manuscript leaf.
Provenance: 17th-century
spine label with initials “S.F.” and a tree design between them.
Ownership signature of Gordon Duff; Yale University (bookplate) — deaccessioned.
Edition: Moreau, II, 930; Shaaber, British Authors Printed
Abroad, P57; not in Darlow & Moule. Binding: Fogelmark, Flemish
and Related Panel-Stamped Bindings, plate XXXII R.46 & pp. 48–49.
Volume rebacked and much of old spine reapplied; lacks title-leaf and
last leaf torn across corner with loss replaced of old, colophon partly supplied
in manuscript. Highlights to initials as above; occasional early underlining
or another mark and a later pencilled note on last leaf. Missing leaf and
torn second one notwithstanding (though they do lower the price), this is
a
very nice copy in a notable early binding.
A
PRB&M “FEATURED BOOK”
for others, click
here.
An
ILLUSTRATED RENAISSANCE
Large
Folio Bible
Bible.
Latin. Vulgate. 1529. Textus Biblie. [colophon: Impressum
autem Lugduni {i.e.,Lyons}: per Joha[n]nem Crespin, M.ccccc.xxix {1529}]. Folio
extra. [18], 268, [17] ff.
[SOLD]
Click the images for enlargement.
Handsome and substantial are two terms that immediately come to mind regarding this large Renaissance-era Latin-language Bible. In addition to the main text, the volume has “concordantiis veteris et noui testamenti . . . quas utriusqz iuris professor . . . Johannes de Gradibus concordantibus congruisqz apposuit locis.” Further we are told it was “reuisa, correcta [et] emendata . . . accedunt . . . ex . . . Iosephi libris exhauste auctoritates, quas . . . Ioha[n]nes de Gradibus concordantibus congruis[que] apposuit locis. . . .”
The text is printed in double-column format in a modified gothic type with liberal use of four-line woodcut, historiated, criblé, and other initials, and illustrated with
more than 120 woodcuts. The woodcuts of the Old Testament are of good size, measuring approximately 3.8 x 6 cm (1.5" x 2.25") and with their four-element frames each one fills a text column left to right (5.5 x 8.5 cm; 2.25" x 3.25"). The cuts, “with the exception of the Creation, are close copies of those used in Jacques and Jean Mareschal's Lyons Bibles of 1523–1541" (Mortimer). They are also closely related to those used in Sacon's Bibles, which were by Hans Springinklee. The bottom border element on some has the initials “P B A” and the left and right elements of other frames read “Pour” “LEM.” The New Testament illustrations are smaller, 5.5 x 3.5 cm (2.25" x 1.375"), and each fills only half a column left to right.
There are three much larger woodcuts: On folio CXXIX verso is a multi-image, half-page cut of King Solomon, measuring 13.5 x 16.2 cm (5.375" x 6.5"), and on D4 recto a three-quarter-page rendering of the Nativity measuring 20.5 x 18 cm (8" x 7").
Genesis opens with a gorgeous six-panel cut that is yet a bit larger, depicting God in His six days of Creation.
The title-page is printed in black and red, with the type contained in a four-element border that incorporates a scene of the Last Supper, images of the Creation different from those illustrating Genesis, and a very large capital element (i.e., tympanum) with the words “Ad Laudem et Gloriam Sanctissime Trinitatis” above images of God the Father and two angels. In the four corners of the title-page are the four Evangelists. The printing of the Canons is also in black and red, framed within columned “temples” fully printed in red.
Provenance: Inscription of a monastery to title-page, minute name of “Fray Baptista O'Sullivan, with an 1890's date, to a rear blank.
Evidence of readership: Scattered throughout are short marginal notes in a late 17th- or early 18th-century continental hand, in Latin, as well as underscoring and marks in the margins of important passages or words or thoughts.
This is the second Crespin edition, the first having appeared in 1527.
Mortimer, French, 66; Fairfax-Murray, French, 36. Not in Darlow & Moule. Full calf old style: Round spine with gilt-accented raised bands and with title, place, and date gilt-stamped directly on spine; blind rules extending onto covers from each band to terminate in a trefoil, and covers framed in blind double fillets. Title-leaf crinkled; the occasional stain; moderate soil, light old staining, and/or wear variously to upper outer corners, lower gutter corners, and the odd foremargin, with a number of strengthenings to these instances. Marginalia slightly trimmed in 19th century. Library rubber-stamp on lower edges of closed volume; heavy library pencilling to a rear blank; no other such marks.
Overall a good and satisfactory copy of a nicely illustrated Renaissance book. (24810)
An
Early
Bible in GREEK
Both O.T.
& N.T.
Bible.
Greek. 1545. [three lines in Greek, then] Divinae Scriptvrae, Veteris
ac Novi Testamenti, omnia innumeris locis nunc demum, & optimorum librorum
collatione, & doctorum uirorum opera, multo quàm unquam antea emendatiora,
in lucem edita. Basileae: Per Ioan. Heruagium, 1545. Folio. *4 (-*2,3,4) a–z6A–Z6Aa–Ss6Tt4Vv–Zz6AA–MM6NN4;
969, [1] pp., [3] ff.
$6000.00

While Erasmus was creating quite a stir with the first, second, third, and fourth editions of his Greek New Testament, others were busy working at producing complete Bibles in Greek. The accepted sequence of complete Bibles in Greek is: First, the Aldine Bible of 1518, second, the Greek Bible contained in the Complutem polyglot–finished by 1517 but not published until 1520), and third, that printed in Strassburg in 1524–26. This, then, is but the fourth. As with all save the Strassburg Bible, it is folio in format.
Melanchthon (1497–1560), the great Humanist and Luther's friend and supporter, wrote the preface to this edition. The three leaves bearing that essay are missing from this copy and this may be due to a Catholic or Inquisitorial censor removing them so that the text of the Bible proper could be used by Catholic readers. All of Melanchthon's writings, including introductions, were on the Index Librorum Prohibitorum. The text of the Bible proper, here, is complete.
The text of the O.T. "follows the Aldine Bible of 1518; with variant readings, and restoration of the usual order in Provers and Ecclesiasticus. The Apocrypha are grouped together as in No. 4602 [i.e., the Strassburg edition of 1524–26]. The N.T. text appears to agree with the quarto edition printed at Basel in 1545" (Darlow & Moule). The New Testament just referred to was the sole Greek-only Testament that Froben published and it follows the text of the fourth Greek N.T. of Erasmus, meaning that the N.T. here is also a close reprinting of the Erasmus fourth.
The typography is exquisite and Hervagius has enhanced the presentation on the page with attractive decorative head-pieces, including one that spans the page and depicts a group of six peasants dancing to the tune of a man playing a flute or "pipe."
Provenance:
Late-17th- / early-18th-century ownership signature of "Pet. Wedderburn; 18th-century
bookplate of Lord Eliock; later pencilled signature of "[?].T. Coleridge"
(not Samuel Taylor Coleridge; possibly, however, Justice John Coleridge).
At back, "Ex dono D. Al: Brown, M.D." and another ownership inscription entirely
in Greek.
Darlow & Moule 4614; Dibdin (4th ed.), An Introduction to...Greek and Latin Classics, 86; Rumball-Petre, Rare Bibles, 224. 16th-century calf over wood boards, covers elaborately tooled to produce an interesting embossed binding of concentric panels: Used are a single fillet (repeatedly, usually in triplets) and a roll featuring urns, flowers, and putti. Rebacked and edges and corners renewed. Remains of brass clasps. Endpaper reattached. Title-page cut down and mounted. There are a very few instances of old marginalia. A very clean, handsome copy.

The Bear Bible — The FIRST Complete Bible in Spanish
Bible. Spanish. Reina. 1569. La Biblia, que es, los sacros libros del vieio y nueuo testamento. [Basel: Thomas Guarinus for or with Samuel Apiarius], 1569. 4to. [15 of 16] ff., 1438 columns, [1] p., 544, 508 columns, [1] p., [1] f. (without the 3 leaves of “Annotationes” and the final blank); illus.
$28,750.00
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The earliest edition of the complete Bible in Spanish. Following the success of producing the world's first polyglot Bible, Spain retreated from printing Bibles in an almost absolute way after the onset of the Reformation. Given the emphasis that Reformation leaders placed on accessible Bibles in the vernacular tongues, Spain, as a staunchly non-Reformation country heeding the Church's stricture against translation into the vernacular, produced no Bible in Spanish actually in Spain until the late 18th century.
Rather, the production of a Bible in Spanish fell to a peripatetic exiled Spaniard named Casiodoro de Reina (ca. 1520–94), a man who began his adult life as a monk, came under suspicion of being a “Reformist,” and fled Spain for Geneva — later fleeing that city for a series of others and declaring it “a new Rome” for its intolerance of new ideas. Whether the translation is solely from his pen or is the work of a committee in which he was primus inter pares is not known.
This Bible is known as the “Bible of the Bear” or the “Bear Bible” because of the printer's device on the title-page, a bear at a honey comb, which was the device of Samuel Apiarius. The relationship between Apiarius and the actual printer, Thomas Guarinus, is unresolved. The Old Testament in this translation is based on the Hebrew and derived heavily from the Latin of St. Pagninus and from the Ferrara version. The New Testament is based on the Greek of Erasmus with comparisons to the Vetus Latina and Syriac manuscripts.
There are two states of the title-page, this being state A with the line of type ornaments described in Darlow and Moule.
Provenance: Ownership signature of Herbert Watney and note “bought in Spain March 1892" on the front fly-leaf. Mr. Watney (1843–1932), the youngest son of the brewer James Watney, was educated at Rugby and Cambridge, and became Senior Assistant Physician at St. George's Hospital, London. In 1915 he served as Master of the Mercers' Company as his father had in 1846. He was a dedicated book collector of Bibles and English history: The first edition of the first complete Bible in Welsh in the library of St. John's College library, Cambridge, was his gift to the school.
VD16 B2869; Rumball-Petre262; Darlow & Moule 8472; Graesse, I, 386; Palau 2894; Adams B12061. 17th-century English calf, rebacked with new spine gilt extra very suitable in style; leather of covers a bit crackled and variously darkened; small areas of the covers at board edges replaced with new leather sympathetically gilt-tooled. Lacks the blank preliminary leaf and the four leaves at the end of “Annotationes breves sobre los lugares . . . “, both of which are very often lacking, the latter leaves having perhaps (even probably) been printed separately and later. Small piece of front fly-leaf cut away (probably removing an ownership inscription). The occasional instance of light soil or light waterstaining to fore- or bottom margins, sometimes reaching text; a generally clean and good copy. All edges mottled red and blue-green. (25772)

FIRST
LATIN BIBLE Printed in England
Bible. Latin. 1580. Tremellius–Junius. Testamenti veteris Biblia Sacra sive libri canonici, priscae Iudaeorum Ecclesiae a Deo traditi, Latini recens ex Hebraeo facti, brevibusque scholiis illustrati ab Immanuele Tremellio & Francisco Iunio.... Londini: Henricus Middletonus, impensis G.B., 1579–80. 4to (21.6 cm, 8.5"). [16], 219, [1], 299, [1], 251, [1], 390, [2], 192 (some pp. bound in out of order), [4], 194, [2] pp.
$1950.00
Click the interior images for enlargements.
Variant printing of the first edition of the earliest complete
Latin Bible printed in England, translated by Immanuel Tremellius and Franciscus
Junius. Portions of the Tremellius–Junius Old Testament had been previously
published in various forms; Darlow and Moule note that here, “To Tremellius
and Junius' version of the O.T., and Junius' translation of the Apocrypha, is
added Tremellius' translation of the N.T. made from the Syriac.”
The Old Testament, Apocrypha, and New Testament are here in six parts, each
with separate title-page bearing an engraved vignette and each section including
engraved head- and tailpieces in addition to decorative capitals. The publication
information in some sections gives “Impensis G.B.” (George Bishop),
as opposed to “C.B.” (Christopher Barker) or “I.H.”
(Harrison), in whose names other variants were issued.
Provenance:
Front pastedown with armorial bookplate of prominent attorney Richard S. Coxe,
of whom it was once said that “he was employed in more cases upon the
docket of the Supreme Court of the United States than any other lawyer in
the country” (Dictionary of American Biography); front free endpaper
with affixed handwritten description of the volume by Coxe; front fly-leaf
with inked presentation inscription by Coxe, dated 1859.
ESTC S121318; STC (2nd ed.) 2056.4; Rumball-Petre 240;
Darlow & Moule 6166. On Coxe, see: DAB, IV, 487–88.
19th-century calf, covers framed and diced in blind with spine also blind-diced,
but smaller, and bearing gilt-stamped leather title, place, and date labels;
rebacked with old spine laid on, and joints strengthened. Edges and extremities
lightly rubbed, spine leather with a few small cracks. Front pastedown with
private bookplate as above and smaller institutional bookplate. Title-page
text excised from original leaf and mounted, some time ago; outer margin of
last page excised and leaf mounted. One early inked textual annotation. First
few leaves with small area of worming in lower margins; one leaf with short
tear from lower margin, extending into text without loss. Pages age-toned,
with scattered light spotting throughout and instances of faint waterstaining;
upper edges trimmed closely, occasionally affecting pagination or headers.
Turn-ins with gilt roll; all edges marbled to match endpapers. (24877)
Bible.
Greek & Hebrew. 1584. Biblia Hebraica & Novum Testamentum Graecum. Antuerpiae: Ex officina Christophori Plantini, 1584. Tall folio (35 cm, 13.9").
¶4 A–Z4 π1 Aa–Qq4, †4 ††6 A–O6 P8
a–x6 y8 z8 aa–gg6 AA–RR6; [viii], 186, 128, [xx], 283, [1], 203, [1] pp.
$6000.00
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Here, in one tall thick volume, is the essence of
the Royal Antwerp Polyglot. It is comprised of two parts in one volume, edited by B. Arias Montanus: A “complete
Bible in the original languages, with an interlinear Latin translation; the whole reprinted from the Antwerp Polyglot. The Hebrew O.T. starts at the end of the volume, and the Greek N.T. at the beginning, followed by the Greek Apocrypha; each of the two parts has its own separate title” (Darlow and Moule).
Adams B972; Darlow & Moule 5106 & 4645. Modern full polished
brown calf, panelled in blind and with blind-stamped decorative corner pieces,
covers with elaborate blind-stamped version of the Plantin Press device, spine
compartments decoratively tooled in blind and with blind-stamped lettering.
Front
pastedown with large, gilt-stamped version of the covers' blind Plantin device.
Both title-pages neatly backed and with marginal restoration. Lacks one blank
between New Testament sections (only). One instance of early underlining. One
leaf with tear from lower margin, not touching text. All edges stained red,
with white splotches to top and bottom ones. Overall, a very clean and well
margined copy, solid for use in an appropriate binding.
For
more BIBLES, TESTAMENTS,
& Bible Scholarship, an
extensive & illustrated
catalogue, click here.


A Man Scorned? Or One Satirizing a Genre?
Boccaccio, Giovanni. Laberinto d'amore. Con una epistola a messer Pino de Rossi confortatoria del medesimo autore e di nuovo corretto. [colophon: Vinegia: per Pietro di Nicolini da Sabio, 1536]. Small 8vo (15.5 cm; 6"). 72 ff.
$1600.00
Click the interior images for enlargements.
A handsome copy of this well-printed Renaissance edition of Boccaccio's
problematic work about a man jilted or scorned, written in the 1360s. As to
the complicated nature of the content, its relation to Boccaccio's life, and
its date of composition, we refer the reader to Brown University's “Decameron
Web,” where Dr. Guyda Armstrong writes that in it “Boccaccio demonstrates
his familiarity with the canon of classical and medieval antifeminist texts,
and succeeds in creating what is practically an encyclopaedia of the genre.”
The work is now generally better known under the title Il Corbaccio,
although all editions use the title found here. As one would expect with
a Venetian-printed Renaissance work of literature, the text is in italic type;
and this was printed early enough in the 16th century that the title-page
offers a charming four-element architectural woodcut border.
Binding: Finely bound in 19th-century
English straight-grained red morocco, with ornamental gilt border to covers,
gilt-extra panelled spine, and two black leather spine labels. Board edges
with a gilt roll; complex gilt inner dentelles and marbled endpapers. All
edges gilt.
Graesse, Trésor de Livres rares, I, 455; Brunet,
I, 1016.; Index Aurel. 120.267. Not in Adams. Bound as above;
spine lightly faded and front cover with two small spots. Some small, light
stains in text (only); generally, a very good copy. (25054)
Early
Reformation
Macaronic
Satire
Borsius, Marcus, attrib. author. Ex obscuroru[m] virorum salibus cribrat[us] dialogus no[m]minus eruditionis qua[m] macaronices amplectens. No place [Germany?]: No publisher/printer, no date [1520]. Small 8vo (13.5 cm; 5.25"). [20] ff. (last blank).
[SOLD]
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Related to the Reformation work Epistolae obscurorum virorum,
the present small production is a macaronic satire in dialogue form with the
interlocutors “M. Ortuinus, M. Lupoldus, M. Gingolphus, Erasmus, Reuchlin,
Faber Stapulensis.” In earlier editions it travelled under the title Dyalogus
nouus & mire festiuus ex quorunda[m] viroru[m] salibus cribratus.
This edition is not in VD16 and only one copy is located via WorldCat. COPAC
records are too abbreviated to determine if any library owns a copy.
Provenance: Two 16th-century
ownership signatures on title-page: Simon Albach, undated, and Marcus Albinastes,
1583.
This edition not in VD16; not in Index Aurel.
Mid-20th-century marbled paper wrappers; old library bookplate. Title-page
and a few margins with finger oil or other stains; on endpaper opposite title-page
in a very old hand, “Very rare.” Else, a very good copy. (25773)

On Peace & Philosophy During the
Reformation
Breton, Robert. Roberti Britanni Attrebatensis Orationes duae, Burdegalae quondam ab eodem habitae, altera de pace, altera de philosophia. Parisiis: Ex officina Christiani Wecheli, 1538. Small 8vo. [24] ff.
$750.00
Click the interior images for enlargements.
Breton's speeches on peace and on philosophy are handsomely printed in italic type: That on peace begins with a woodcut initial showing three cherubs and that on philosophy begins with
a criblé initial. The printer's Pegasus device appears on the title-page and on the final leaf.
Rare: Searches of WorldCat and COPAC fail to locate any copies in libraries in the Anglo world.
Full dark modern calf old style, absolutely plain without labels; spine with raised bands accented with blind rules extending onto covers to terminate in trefoils, and simple blind double fillets to covers. One old numeral inked to title-page; text unmarked with paper clean and even bright, throughout. (25746)
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