This edition is limited to 2,000 copies, was translated from the Spanish by Gregory Rabassa, and carries an introduction by Alastair Reid. The colophon page issigned by both Rabassa and Reid, and also by the illustrator Rafael Ferrer.

Rafael Ferrer, a native Puerto Rican, created eight full-page oil paintings and 25 in-text ink drawings, well reproduced here — plus a full-page original graphic, laid in at the back (i.e., not bound into the book) and most suitable for framing. Ferrer's images, with their bold lines and colors, often pack an emotional punch. His style belongs to the New Image school of painting, which bears the unmistakable influences of neo-expressionism, surrealism, and Dada.

Binding:  Three-quarter leather, stamped in gold on the spine, over straw-colored textured Chinese silk.

This offering includes the monthly newsletter.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 532.   Binding as above. Book clean and bright, in slipcase with small scrapes at the lower spine and at the mouth. Fine, in a near fine slipcase.  (21791)

Uncommon: Charno locates copies of the supplement only at the Newberry and University of Texas libraries.

•  Charno, Latin American Newspapers in United States Libraries, pp. 590–92. As issued. Worming in foremargin, touching two letters; repaired; small hole where paper was thin at center of leaf, taking a bit of a rule but no text. Pencilling in margins. A very good copy.

Guridi y Alcocer here defends himself and various of his statements in the Cortes from Cancelada's attacks in that newspaper, both personal and political. Guridi sought to open the (whole) New World to free trade, arguing for free access to European seeds, plant stocks, and exports generally. He also sought administrative reform, reduction in regulations, and the ending of colonial status.

WorldCat locates only two copies Worldwide.

•  Palau 111215; Sutro 87.   Removed from a nonce volume. One small tear in a margin, repaired. Clean and nice.  (26042)

Hall's journal was first published in 1824; the present fifth edition was the second volume issued in the "Constable's miscellany of original and selected publications in the various departments of literature, science, & the arts" series. The text has been expanded from the second edition.

•  Sabin 29718; Palau 112072 (first ed.). Contemporary half calf over marbled paper sides, spine ruled in double gilt fillets with gilt-stamped devices in compartments; worn and abraded with leather cracking over spine, and joints cracked but holding, Lacking map. Front free endpaper with inked ownership inscription. First and last few pages lightly spotted.

Illustrated with seven engraved plates and a folding engraved map by Edward Finden. The plates, probably taken from personal sketches of the author, render the landscape and people in fine detail. Four plates are of mountain passes and river crossings. The other three plates depict “cottages and natives at Hacienda of Mondomo,” a dramatic scene of mounted Indian lancers attacking Spanish troops, and another showing the lassoing of bulls. In the back of vol. II is a folding map of the Department of Cauca, “Dedicated to Sr. Dr. Marselino Perez Devalenca. By I. R. A.”

Provenance:  Formerly a copy belonging to Indiana University Library.

•  Palau 112117; Sabin 30023.   Bound as above. Flex marks on joints, a couple of shallow scratches on front and back covers. Fold-mark across corners of two leaves. Pages clean, map and plates in excellent condition. Lilly Library duplicate, with small paper label affixed to bottom edge of rear pastedowns; a few library pencillings, but no library stamps.  (24568)

Many of the 52 lithographed plates are in duotone; some were done by Ackerman Lithography and some by P.S. Duval & Co., after views of scenery, buildings, and natives drawn by Lieut. Gibbon.

Two volumes of maps, not present here, were issued separately.

•  Sabin 31524; Palau 113897. Publisher’s textured cloth, covers blind-stamped, spine with gilt-stamped title; vol. I with spine sunned and cloth chipped at spine extremities; vol. II with corners bumped, cloth peeling away from spine and chipped at spine extremities, spine with gilt dimmed and small area of unobtrusive discoloration from now-absent label. Front pastedowns each with pencilled owner’s name and institutional rubber stamp (no other markings); front free endpaper of vol. II starting to tear along inner margin. Mild to moderate foxing and spotting; a few text gatherings unopened. One plate in vol. I with short tear from outer margin, turning into a narrow scrape extending about halfway into the upper portion of the image; one leaf in vol. II with tiny portion (less than one word) affixed to opposing plate. Not a perfect set, but a perfectly fascinating one.