Galsworthy, John. The plays.... London: Duckworth, 1929. 8vo (22 cm, 8.6"). [8], 1150, [2] pp. $100.00
27 plays by the Nobel laureate and author of the Forsyte Saga.
Signed binding: Contemporary half tan morocco with marbled paper–covered sides, spine with raised bands each accented above and below with single gilt rule and single black rule; gilt-stamped title, spine compartments framed in gilt with gilt dots in each corner and each with gilt center device. Front free endpaper
stamped “Bound by Sangorski & Sutcliffe.” Top edge gilt; silk ribbon place marker.
Click the interior image for an enlargement.
Binding as above, spine slightly sunned, corners and extremities showing minor rubbing. Front pastedown with private collector’s armorial bookplate. Pages clean.
Prize Copy ofthe Attic Nights
Gellius, Aulus. Auli Gellii Noctium atticarum libri XX prout supersunt quos ad libros msstos novo & multo labore exegerunt.... Lugduni Batavorum: Apud Cornelium Boutesteyn & Johannem du Vivié, 1706. 4to (26, 10.25" cm). Add. engr. t.-p., [34], 903, [65 (index; 1 final f. blank)] pp. $650.00
Click the images for enlargements.
Gellius's Attic Nights, supposed to have been written for the entertainment and education of his children, offers a rich tapestry of the life and times of the Roman Empire under the five good emperors. In an informal style Gellius ranges from law, grammar, history, and literary criticism to evening chats with fellow students and visits to the awe-inspiring villas of Herodes Atticus, the most famous philanthropist of Athens. Brunet calls the present example the “Édition la meilleure qui ait paru jusqu'ici” of the Attic Nights. Originally edited by Joannes Fredericus Gronovius and then polished by his son Jacobus Gronovius, this version also includes notes and commentary by Kaspar Schoppe, Peter Lambeck, Louis Carrion, Antoine Thysius, and Jacobus Oiselius.
The additional engraved title-page, done by P. Sluyter after a design by J. Groere, depicts the author at work on a moonlit night, and is decorated with medallions of Athena and her owl; the title-page is printed in red and black, with an engraved vignette of an Attic city.
Binding: Prize binding (without certificate) of contemporary vellum, covers framed and panelled in double blind fillets with gilt-stamped corner fleurons, gilt-stamped medallion on each cover showing a scimitar-wielding knight bearing two crossed keys on his shield, supported by monkeys and surmounted by lounging figures grasping snakes. Spine with gilt-ruled raised bands, gilt-stamped compartment decorations, and early inked title.
Brunet, II, 1524; Graesse, II, 46; Schweiger, II, 379. Binding as above, small areas of discoloration, ties now lacking; front hinge (inside) very unobtrusively reinforced. Front pastedown with affixed slip of old cataloguing, partially obscuring an early inked annotation. Title-page with shadows of pencilled numeral and publication annotation. Some margins darkened or with mild spotting, pages otherwise clean, and all edges red. (25963)
MuchMore than the Decline & Fall
Gibbon, Edward. Miscellaneous works ... With memoirs of his life and writings, composed by himself: illustrated from his letters, with occasional notes and narrative, by John Lord Sheffield. London: A. Strahan and T. Cadell, Jr. & W. Davies, 1796. 4to (28.7 cm, 11.25"). 2 vols. I: Frontis., xxv, [1], 703, [1 (blank)] pp. II: viii, 726, [2 (errata & adv.)] pp. $1500.00
First edition: Gibbon's memoirs, assembled and annotated by John Baker Holroyd, Earl of Sheffield, along with various observations, essays, and remarks by the great historian. Among the contents are “Examination of Longinus's Treatise upon the Sublime,” “A Dissertation on the Subject of Metals,” “Essai sur l'Etude de la Littérature,” and outlines of the history of the world from the 9th through 15th centuries. The collected correspondences include letters to Dr. Priestley following Gibbon's receipt of his History of the Corruptions of Christianity, dialogues on literature conducted in both French and Latin (accompanied by English translations) with Gesner and others, and extensive discussion with Holroyd about American, French, and English politics.
The work was additionally printed in Dublin and Basil in the same year. OCLC notes that a third volume was printed almost ten years later, by J. Murray; that supplementary volume is not present here.
Signed binding: Contemporary treed calf, covers framed in gilt rolls, beautifully rebacked with gilt-stamped spines preserving handsome original gilt-stamped, two-color leather title and volume labels, turn-ins with gilt rolls. Front pastedown of vol. I with binder's ticket: “Pigge Binders, Lynn.”
A charming silhouette of Gibbon serves as frontispiece to volume I.
ESTC T79696; Allibone 663; Brunet, II, 1586; Norton, Gibbon, 131. Bindings as above with original leather showing some scuffs and abrasions; gilt on original spine labels a little (but a little only) dimmed. Hinges (inside) reinforced. Final page of each volume, back pastedown of vol. I, and title-page of vol. II institutionally rubber-stamped; no other such marks. Intermittent spots of light
foxing. A lovely, wide-margined, archetypically “18th-century” quarto production for this quintessentially 18th-century writer. (23770)
Beautifully
Bound & Illustrated FRENCH Edition “Tr.
by Mme. Bachellery”
Goethe, Johann Wolfgang von. Les souffrances du jeune Werther. Tr. by Mme. Bachellery. Paris: Librairie des Bibliophiles, 1886. 8vo. $1500.00
Click any image where the hand appears on
mouse-over, for an enlargement.
Edition limited to 220, this one of 10 on papier du Japon.
Illustrated with eaux-fortes by Lalauze, and each platepresent
in four states.
Binding: Bound by Lortic
Frères in red morocco with filigree gilt tooling on covers and in spine
compartments; a gilt rose also in each spine compartment.
Blue morocco in-laid doublures, turquoise watered silk endpapers, and marbled
fly-leaves; very wide turn-ins with gilt dentelles. All edges gilt over marbling.
A copy in lovely condition, imperceptibly rebacked with the
original spine retained. Original wrappers bound in. Protected in a crimson
morocco-edged slipcase.
Gray, Thomas. Poems by Thomas Gray. Eton: Eton College Press, 1902. 8vo. xiv, 164, [2] pp.; 4 plts. $90.00
Click the images for enlargements.
Early 20th-century Eton “leaving book,” being the College's own printing of these much-beloved 18th-century poems, graced with a portrait engraving of Gray and three other handsome plates including a fine “distant prospect” of the College.
Binding: Tan calf, covers framed in gilt double fillets and gilt roll with gilt-stamped corner stars, central gilt-stamped coat of the Warre family arms; board edges with gilt roll, gilt inner dentelles, fine marbled endpapers. Spine with raised bands accented with gilt rolls and gilt-stamped floral decorations in compartments. All edges gilt. Signed by Spottiswoode & Co.
Provenance: The preprinted presentation leaf, completed in manuscript, notes (in Latin) that the recipient was Crichton Jordan Milne and the donor headmaster was Edward Warre.
Binding damaged by old fire with spine label chipped nearly away, corners/edges abraded, and significant cracking/darkening of leather overall; still sound and indeed attractive. Interior very good, having been protected from that fire by the heavy gilt to the page edges which prevented smoke entry. Presentation leaf as above, with information dated 1905. (12687)
Phyllis
Wheatley Anne
Bradstreet & “Others”
Representing the“Female
Genius” of Their
Days
Griswold, Rufus Willmot, ed. The female poets of America.
Philadelphia: Carey & Hart, 1849. 8vo (23.7 cm, 9.3"). Frontis., add. engr. t.-p., 400 pp.; 4 plts. $240.00
Second edition: Selections from 95 American women poets, with brief biographies and
critical notices. Contributors include Anne Bradstreet, Mercy Warren, Phillis Wheatley, Susannah
Rowson, Sarah Josepha Hale, Lydia Huntley Sigourney, Lucy Larcom, both Careys, and others, many
famed in their days and now poignantly forgotten. Griswold was the editor of The Poets and Poetry
of America, The Prose Authors of America, and The Poets and Poetry of England; Edgar Allan Poe,
in his review of the present work, commended Griswold's taste and courage in promoting “numerous
lady-poets . . . many of whom he now first introduces to the public,” including several Southern
women.
Click the interior image for an enlargement.
The volume is illustrated with five steel-engraved plates and an additional engraved title-page.
Binding: Contemporary maroon
morocco, covers framed in gilt single fillet and blind-stamped with arabesque
designs, spine with gilt-stamped title and gilt-stamped raised bands, board
edges gilt-tooled, all edges gilt.
Provenance:
Front cover with gilt supra-libros of A.M. Pratt.
BAL 6681; Sabin 28893;
Library Company, Afro-Americana, 4386 (for a much later edition); Allibone p. 745; Poe, “The
Female Poets of America,” Southern Literary Messenger, Feb. 1849; . Bound as
above, spine and edges gently sunned; edges lightly rubbed. Front cover gilt-stamped as above. Pages
slightly age-toned, with offsetting around plates and scattered spotting; plates with spots of foxing.
A very nice copy. (25126)
Book of Armagh — Limited Edition — Signed Binding
Gwynn, John. Liber Ardmachanus / The book of Armagh. Dublin: Pub. for the Royal Irish Academy by Hodges Figgis & Co.; London: Williams & Norgate, 1913. Folio (32.5 cm, 12.75"). [4], ccxc, [2], 503, [1] pp.; 6 plts. $1700.00
Click any image where the hand appears on
mouse-over, for an enlargement.
Ninth-century Irish manuscript, here transcribed and edited with an introduction and appendices by John Gwynn, professor of divinity at the University of Dublin. The volume is illustrated with six plates reproducing leaves of the original manuscript.
This is no. 186 of 400 copies printed.
Binding: Publisher's brown suede, front cover with embossed Celtic designs, signed by Galwey & Co. of Dublin (with their ticket on the front pastedown).
Binding as above, minor discoloration to central portions of covers, leather of back joint cracking but joint firm. Title-page and one other institutionally pressure-stamped; lower edges rubber-stamped; first preface page with inked provenance notation and stamped numeral; back pastedown with adhesions from card pocket once present. Binding “going to red” as is the wont of this material; still, however, handsome. (21062)
Uniquely
Bound?
— Beautifully
Bound!
Harvard
College Library. Illuminated & calligraphic manuscripts.
An exhibition held at the Fogg Art Museum & Houghton Library, February 14
– April 1, 1955. Cambridge, Massachusetts: Harvard College Library, 1955.
Small folio. 45, [1] pp., [1] f., 80 pp. of illus. [SOLD]
Excellent exhibition catalogue with minimalist but at same time full entries for each item in the exhibition; there are many black and white illustrations. This is a specially bound copy, almost certainly done to one bibliophile's private taste.
Click
either image for an enlargement.
Binding: Bound in black niger goat with a tobacco-colored niger inlay on front cover of a blind-tooled reproduction of the drawing of Bede presenting his work to Bishop Acca that appears in item 11 of this catalogue. That inset is surrounded by a second one of red niger, serving as a frame.
Binding as above. Original wrappers bound in. A treasurable copy. (22442)
Contentious Counterpoint — Contemporary Binding
Jewel, John. A defence of the apologie of the Churche of Englande conteininge an answeare to a certaine booke lately set foorthe by M. Hardinge, and entituled, A confutation of &c. London: Henry Wykes, 1567. Folio (30.9 cm, 12.1"). [24], 742, [6] pp. (title-page in facsim., pp. 675/76 lacking; pagination erratic). $1675.00
Click the interior images for enlargements.
First edition of the Bishop of Salisbury's defense of his Apologie or Aunswer in Defence of the Church of England, which work was originally published in Latin as Apologia Ecclesiae Anglicanae. Written, like the first, to rebut Catholic attacks on Anglican theology, this second defense incorporates the texts of both Jewel's Apologia (in English) and Harding's Confutation.
The volume is printed in multiple typefaces including roman, Greek, and several different black-letter and italic fonts, with decorative capitals and extensive shouldernotes. Because the title-page is supplied here only in early inked facsimile, it is difficult to ascertain the specific issue with absolute certainty, but the fourth line of the title-page as given here is “foorthe” rather than “foorth.” All early issues are uncommon; ESTC, OCLC, and NUC Pre-1956 find only ten U.S. holdings of the “foorthe”
variant.
Binding:Contemporary calf over heavy boards, panelled and framed in blind with floral, geometric, and armorial blind-tooling within panels; a pencilled note on the front free endpaper says, “Richardson binding.” There once were clasps, now lost.
Provenance: Title-page with small inked inscription, dated 1836, of Charles Nice Davies (1794–1842), a Welsh linguist, librarian at the Congregational Library, and divinity tutor at Brecon College.
STC (2nd ed.) 14600.5; ESTC S112182. Bound as above, rebacked preserving original spine; leather cracked, edges and extremities rubbed, clasps now lost, hinges (inside) reinforced some time ago. Institutionally rubber-stamped on lower closed page edges,
front pastedown, and first contents page. Title-page provided in early pen and ink facsimile, with inscription as above; last text page with commentary on the book's age, dated 1724 and 1913. Early inked underlining and marks of emphasis throughout; occasional marginalia, two pages dealing with women and the Church having extensive annotations. Pp. 675/76 lacking. One leaf with tear from upper margin extending into three lines of text, without loss; one leaf with large chip from lower margin, not affecting text. Scattered spots of staining only — a clean, strong volume. (24511)
Last Edition with HIS Revisions Strong & Handsome
Johnson, Samuel. A dictionary of the English language: in which the words are deduced from their originals, and illustrated in their different significations by examples from the best writers. To which are prefixed, A history of the language, and An English grammar. . . . In two volumes. London: Pr. by W. Strahan, for
W. Strahan, J. & F. Rivington, T. Davies, J. Hinton, L. Davis, et al., 1773. Folio (45.2 cm, 17.75"). 2 vols. I: [553] ff. II: [478] ff. $5500.00
Click the images for enlargements.
Fourth edition of Dr. Johnson’s famous dictionary, the final
edition to be revised by the author. The first edition appeared in London, in
1755, also in two volumes folio. Wit and wisdom here abound, as both the definitions
and illustrative passages provide for some highly entertaining reading. This
copy is complete in its two volumes, with the first preceded by Johnson’s
“The History of the English Language” and a “Grammar of the
English Tongue.”
Robert Keating O'Neill, in his English-Language Dictionaries,1604–1900,
notes that 1,250 copies of this edition were printed and that it, “unlike
its two predecessors, was much revised and is considered generally to be the
best edition.”
BE
SURE to click THIS image!
ESTC T117232; Brunet, III, 553; O’Neill J-52; Vancil 123;
Printing and the Mind of Man 201 (for the first edition). 18th
century treed calf, with minor surface cracks and chips and small areas rubbed;
strongly and splendidly rebacked with speckled calf, spines gilt extra in
bars and compartments; new leather spine labels bearing volume numbers and
the emblazoned notes, “Johnson's Dictionary. A–K” and Johnson's
Dictionary. L–Z.” Old gilt-tooling around covers and on turn-ins;
nice old marbled endpapers. Title-pages printed in red and black. Occasional
foxing; old waterstaining, generally quite light and inoffensive, in margins
of early and later leaves. Paper flaw on B1 costing 4 letters of the footnotes;
hole in blank area of outer margin of B1–B4. A few page edges chipped and
ragged, with significant portion of paper lost from outer margins of two leaves,
without costing any text; several leaves with a fold-in or dog-ear, paper
quite strong at folds. Good text in a handsome and sturdy binding. (23890)
For more SETS, click here. This
is a PRB&M “FEATURED BOOK” for others, click
here.
Elegant Two-Volume Abridgement — With the Grammar
Johnson,
Samuel. A dictionary of the English language: In which the words are deduced from their originals, explained in their different meanings, and authorized by the names of the writers in whose works they are found. Abstracted
from the folio edition ... the eighth edition. London: Pr. for J.F. & C. Rivington, et al., 1786. 8vo (21.8 cm, 8.6"). 2 vols. I: [289] ff. II: [266] ff. $875.00
Single-click any image where the hand appears on
mouse-over, for an enlargement.
Eighth edition of Dr. Johnson’s famed dictionary, printed
shortly following the author’s death. Wit and wisdom are combined in interesting
proportions in this most famous lexicon, here in one of the two-volume abridgements
and preceded by Johnson’s “Grammar of the English Tongue.”
ESTC T83956; Brunet, III, 553; O’Neill J-65; Vancil 123;
Printing and the Mind of Man 201 (for the first edition). Contemporary
speckled calf, spines gilt extra with gilt-stamped leather title and volume
labels; all joints strengthened and bindings otherwise showing only light
wear overall. Front pastedowns with bookseller’s stamp; title-pages
with upper margins excised. An attractively bound abridgment of Johnson’s
magnum opus.
For more SETS, click here. For DICTIONARIES/GRAMMARS, ETC., click here. For
more LITERATURE, click here. This also appears in the GENERAL
MISCELLANY click here.
Binding Provenance Text
Juvenalis, Decimus Junius; & Aulus Persius Flaccus. Iunii
Iuvenalis et Auli Persii Flacci Satyrae, ex doct: viror: emendatione. Amstelodami: Apud Iudocum Hondium, 1625. Narrow 32mo (11 cm; 4.25"). 116 pp. $600.00
Click the title page image for an enlargement.
Exquisite copy of this reprint of the Jansson 1619 edition, here with an engraved title-page featuring an Elzevierian sphere device and ending with “Sulpiciae Satyrae” on the final two pages (115–116).
Provenance: 19th-century engraved bookplate of Joannes Thomae Aubry, “Doct. Theol. Soc. Sorb., Rector S. Ludovici in insula.”
Binding: 18th-century crushed red morocco, gilt spine extra; triple fillet gilt border on covers; single gilt rule on board edges; gilt dentelles on turn-ins; French combed pattern endpapers. All edges gilt. Green silk placemarker.
Not in Schweiger. Binding as above. A very good copy. (22246)
American
Gift Book
— TwoILLUMINATED
Leaves
The
ladies' wreath. A souvenir for all seasons. Boston: Phillips,
Sampson & Co., [ca. 1855]. 8vo (19 cm, 7.5"). [2 illuminated] ff., 288 pp.;
4 plts. $135.00
Ornately bound gift book, illustrated with four steel-engraved
plates. This is a different work from both the New York item of the same name
published in 1847 and the literary collection of the same name edited by Sarah
Josepha Hale; the present volume opens with an illuminated presentation leaf
(left blank here) and illuminated additional title-page, while the text begins
with Felicia Hemans's “Woman and Fame” and closes with Southey's
“Remembrance.” The publisher issued the Wreath in the present
undated variant and also with a publication line giving 1855.
Binding:
Publisher's red morocco, covers and spine gilt extra in foliate designs with
cherubim at play. All edges gilt.
Faxon 457a. Binding as above, front joint just starting
at top and bottom, edges and extremities showing very slight wear, gilt slightest
bit rubbed in spots; overall bright and handsome. Light age-toning and spotting
throughout.In
remarkably good condition, unusually bright. (20886)
Neat 5-Volume SetElegantly Bound
Ladvocat, Jean Baptiste. Dictionnaire historique, philosophique et critique, abrégé de Bayle et des grands dictionnaires biographiques qui ont paru jusqu’a la publication de la biographie nouvelle des contemporains. Paris: Librairie Historique, 1821–22. 8vo (20.5 cm, 8.1"). 5 vols. I: xiv, 480 pp. II: [4], 473, [1] pp. III: [4], 575, [1] pp. IV: [4], 474 pp. V: [4], 496 pp. $375.00
Scarce corrected and expanded edition of this biographical dictionary, following the first of 1760, with entries updated to 1789. Originally published as the Dictionnaire historique portatif des grands hommes, the work was based on Pierre Bayle’s famed Dictionaire historique et critique (published in 1696) and on various other compendiums of the French Enlightenment era; the title-page notes that this edition is intended “Pour servir d’introduction à la Biographie nouvelle des contemporains,” edited by A.V. Arnault, A. Jay, E. Jouy, and J. Norvins, and — like the present set — published by the Librairie historique.
Click the interior image for an enlargement.
The Abbé Ladvocat, librarian of the Sorbonne and a prominent Hebraist and Biblical exegete, also compiled the Dictionnaire géographique-portatif and a Grammaire Hébraïque à l’usage des Ecoles de la Sorbonne.
Binding: Contemporary vellum, spines with gilt-stamped leather title and volume labels and gilt-stamped compartment decorations.
Quérard, La France littéraire, IV, 387. Some volumes somewhat sprung and spines slightly darkened, one spine label chipped (refurbished) and one spine with small area of insect damage. Front free endpapers each with inked ownership inscription dated 1833, front pastedowns each with institutional rubber-stamp (no other markings). Occasional small early inked shouldernotes, scattered light to moderate foxing and spotting. Pp. 181–88 of vol. IV bound in upside down and in reverse order. One leaf with closed tear from upper margin, just extending into text. (20682)
La Fontaine, Jean
Louis. Oeuvres complettes de J. La Fontaine.... A Paris: de l'imprimerie de Crapelet, Chez Lefèvre, libraire, 1814. 8vo. 6 vols.
$6750.00
The special edition containing the plates in two states: a preliminary state ("à l'eau-forte") and another just before the lettering was added. Limited to 20 sets (this set #9). Produced for Antoine August Renouard, the great bibliographer and bibliophile of the late 18th and early 19th century, with 24 etched plates engraved by de Ghende after designs by Jean-Michel Moreau ("le jeune"). Ray notes, in his general remarks on Moreau's work of this period, that "bibliophiles of the time vied for the books which he illustrated, and . . . they went to the expense of having them bound by Simier and Thouvenin." (88). This set carries the bookplate of French collector Louis Mercier.
Binding: Full crimson morocco,
round spines with five raised bands (unsigned, and of a later date than the text).
Spine gilt extra, two spine compartments reserved for
gilt-lettered author, volume number, and contents (i.e., "Fables," "Contes").
Covers with gilt fillet borders; wide gilt inner dentelles; marbled endpapers.
All edges very brightly gilt. Luscious.
Brunet, III, 748; Gordon N. Ray, The Art of the French Illustrated
Book
17001914. Bound as above, in excellent condition, and with wide margins.
Some
foxing of the kind and degree you can see in our illustrations above. A
fine set of a scarce and beautiful edition.
A
Beautiful
Edition — A
Copy with a Fore-Edge Painting
Longfellow,
Henry Wadsworth. The poetical works of
Henry Wadsworth Longfellow. London & Edinburgh: Gall & Inglis, [1865].
8vo (18.6 cm, 7.4"). xx, 700 pp.; 6 plts. [SOLD]
Click the images for enlargements.
Deluxe edition of Longfellow, this copy graced with a fore-edge painting: a bright,
neatly executed view of Constantinople. The volume is (further) illustrated with six steel-engraved plates, including the additional engraved title-page; the text pages are ruled in red.
Binding:
Publisher's red morocco, front cover with blind-embossed/stamped frame, gilt-stamped
decorations, and decorative title embossed in green on a gilt field, spine gilt
extra. All edges gilt. Fore-edge painting as above.
Binding as above, minor traces of shelf wear, covers with unobtrusive
small spots of discoloration, spine very slightly sunned. A few spots of light
foxing. A lovely volume. (25947)
For
a short “shelf” devoted to
FORE-EDGE PAINTINGS, click
here.
“A Valuable Edition”
per Dibdin
Lucanus, Marcus Annaeus. Pharsalia, cum commentario Petri Burmanni. Leidae: Apud Conradum Wishoff, Danielem Goetval, & Georg. Jacob. Wishoff, 1740. 4to (25 cm, 9.75"). [52], 735, [1 (blank)], [160 (index)] pp. $500.00
Click the interior images for enlargements.
First edition of Pieter Burman’s edition of the Pharsalia, Lucan’s account of the Roman Civil War — the greatest epic poem in Latin after the Aeneid. The engraved title-page vignette was done by J. Van der Spyk after a design by J. de Groot.
Binding / Provenance: Contemporary calf, framed in gilt triple fillets and panelled in gilt quadruple fillets with gilt-stamped corner fleurons and gilt-stamped central coat of arms of the Wilder family, with the motto “Virtuti moenia cedant.”
Schweiger, II, 565; Dibdin, II, 186–87. Binding as above, rebacked making use of most of the original spine, spine with gilt-stamped compartments and gilt-stamped leather title-label; edges worn and rubbed, portions of original spine leather cracked and chipped. Front pastedown with small abraded area; front fly-leaf with inked inscriptions dated 1834 and 1938. Some leaves with faint waterstaining in upper margins and lower outer corners. Attractive.
Lucan
for theFirst
Republic
Lucanus, Marcus Annaeus. La pharsale de Lucain.... Paris: De l’imprimerie de Crapelet, 1796. 2 vols. I: 8vo (20.5 cm, 8"). [2] ff., l, 376 pp.; 5 plts. II: 8vo (20.5 cm, 8"). [2] ff., 409, [1 (blank)] pp.; 5 plts. $450.00
Lucan's Pharsalia, the greatest epic poem in Latin after
the Aeneid, takes as its subject the civil war between Pompey and Caesar.
Lucan (a.d. 39–65) was born
at Córdoba, Spain, but raised in Rome; he was the grandson of the elder
Seneca, nephew of the younger Seneca, and the brother of the Gallio mentioned
in Acts 18. He published his Pharsalia in a.d.
62 or 63, but it seems likely that his poetic talent aroused the jealously of
the vain Nero, as after its publication the emperor forbade him to write or
even plead in the courts, and then later compelled him to commit suicide for
alleged treason. The illustrated plates in this edition are after Perrin, and
the French translation is by Brébeuf.
Binding:
Contemporary treed calf, spines gilt extra with red labels and covers gilt-framed;
gilt edges and gilt inner dentelles. Marbled endpapers in a French shell pattern.
All edges gilt.
Provenance:
Small booklabel of William Salloch on rear pastedown.
Schweiger, Handbuch der classischen Bibliographie, II,
568. Cohen & DeRicci, Livres à gravure du XVIII siècle,
662. Not in Ray, The Art of the French Illustrated Book 1700–1914.
Leather on spines and edges of covers dry and chipped; joints open, but sewing
holding. Some closed tears to endpapers and front free endpaper of vol. I
partially detached; paper generally clean with occasional spots of light browning
or foxing. Bookplate on front pastedowns. Plates
clean and charming.
For
more SETS, click here. For more LUCANs, several of them
interestingly bound, click here.
Important 18th-Century Mexican Silver & Gilt Binding Text Signed Three Times by Viceroy Bucareli
Luna Gorraez y Malo, José Antonio Pedro Miguel Domingo de. Bound volume containing six original documents on paper, in Spanish, incorporating relevant portions of older documents. Mexico, 1773. Folio. 11 leaves. [SOLD]
Single-click any image where the hand appears on
mouse-over, for an enlargement.
Viceroy Antonio Bucareli y Ursua confirms Don José Antonio Pedro Miguel Domingo de Luna Gorraez y Malo, the Mariscal de Castilla, in his claim to the title and position of aguacil mayor perpetuo of the Tribunal de Cuentas, a position the mariscal inherited upon the death of his father. The post in question became part of the entailed estate of the mariscal's family during the reign of Viceroy Albuquerque, and the line of succession is detailed in these documents. Because of the entail, the mariscal presents himself, with appropriate background documents, in order to obtain recognition of his claim.
Viceroy Bucareli signs three of these four documents, once in full, the other two times as “Bucareli,” and he affixes the viceregal paper-over-wax seal at the bottom of the main document.
The initial page of this manuscript bears an expertly designed and executed baroque manuscript border/frame, accomplished in shades of grey ink. The text contained within it is a very good example of Mexican calligraphy of the era.
Binding: Contemporary, distinctively patterned, mottled calf with gilt tooling on spine and covers. Exquisitely worked gilt silver closures of an elaborate ribbon and leaves design; one closure broken at the clasp. The endpapers are a vivid pattern of flowers and berries and fruits on vines, all with handcoloring via stencils.
All documents on stamped paper. Excellent condition. Binding with light abrasion to edges; gilt on the silver closures partially perished. A handsome, significant production.