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BIBLIO-GIFTABLES
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“Oh, C'mon . . . ”
(As He Might Have Put It)
Quincy, Josiah. [drop-title] Speech of Josiah Quincey [sic], Representative in Congress for the state of Massachusetts, on the joint resolution approving of the conduct of the executive of the United States, in relation to the refusal to receive any farther communication from the British Minister, 28th December, 1809. No place, [1810?]. 12mo. 24 pp.
$97.50
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He feels the House has gone overboard in the language used in the censure of the British ambassador in his discussions with the president.
A very uncommon Quincy item.
Not in Shaw & Shoemaker. Removed from a nonce volume; stapled and respined with archival tissue. Six-digit number stamped on title-page.
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Manuscript
Cookery-Book
Fragments
[THREE
LEAVES]
“To Make
La Feyetts a nice cake for Tea”
(Receipt Book Leaves). Manuscript on paper, in English. [U.S.?, late 18th-/early 19th-century?].
8vo, [3] ff.
$200.00
Two cookbooks or one? The leaves at hand, one a single page and
the other a conjugate two-leaf spread, pose an interesting question of identification.
Both offer recipes for sweets. The former is done throughout in a formal script,
whereas the latter is partly in a similar if not identical hand, partly in a
more casual style—perhaps they represent contributions of two generations to
the same book. Then again, the chipped edges make exact determination of size
difficult; these leaves might have come from the treasured documents of different
families entirely. Whichever interpretation one might prefer, they provide a
thought-provoking glimpse of turn-of-the-century kitchen life—going on two
centuries ago!
In a Mylar folder. Pages darkened, with small discolorations
and edges somewhat tattered.
A
pleasing gift for anyone exploring culinary, or almost certainly women’s,
history.
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The Wonder of
BIRDS
Rennie, James. Natural history of birds. Their architecture, habits, and faculties. New York: Harper & Brothers, 1840. 12mo. 308 pp., illus.
$40.00
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Second American edition, following that of 1839; on birds and nest building. Rennie was a professor of natural history, at King's College, London. First published in London in 1831, this is a “Stereotype edition” in the “Harper's family library” series as number XCVIII (i.e., 98).
“With numerous [in-text wood] engravings” — definitely, charming.
See: Wood 553; Freeman 3166. Publisher's tan cloth printed with publishing information on front cover and ads for various Harper Library series on the back. Strip of cloth tape at top of spine and slightly onto the covers; ex–social club library, with 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. A nice, clean little book. (26731)
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L.E.L. Poems, Sharpe Illustrations, & a
Shelley Story
Reynolds, Frederic Mansel, ed. The keepsake for MDCCCXXXII. London: Longman, Rees, Orme, Brown, & Green, [1831]. 8vo (18.1 cm, 7.1"). Add. engr. t.-p., iv, 320 pp.; 16 plts.
[SOLD]
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The 1832 entry in a popular series of gift books, this year's example including the first appearance of “The Dream” by Mary Wollstonecraft Shelley (along with the plate, set outdoors, that forced Shelley to change the setting of one of the scenes!), “The Champion” by Catherine Gore, “The Self-Devoted,” by Agnes Strickland, “The Late Queen of Prussia” by Lady Emmeline Stuart Wortley, and “Edith,” “Good Angels,” “An Early Passage in Sir John Perrot's Life,” and “Do You Remember It?” all by L.E.L. (Letitia Elizabeth Landon).
The volume is illustrated with a total of 17 plates, including an added engraved title-page and a presentation leaf. Among the plates are two engraved by Heath after paintings by a then well-known and much-acclaimed artist, Louisa Sharpe.
Provenance: Presentation leaf with inked inscription to Catharine Everdell from her husband William, dated 1836; front fly-leaf with early inked gift inscription from Mary L. Everdell to Bell Vandevere and with Vandevere's pencilled inscription.
Faxon 1493. Contemporary half brown morocco and marbled paper–covered boards, leather edges gilt-ruled, spine with gilt-stamped title, gilt-dotted raised bands, and gilt-stamped compartment decorations; corners and sides showing moderate rubbing. Front fly-leaf with bookseller's pressure-stamp, title-page and two others institutionally pressure-stamped, table of contents with inked notation in gutter and rubber-stamped numeral in lower margin, back pastedown with traces of now-absent adhered leaf. One guard leaf partially torn away. Pages and plates faintly age-toned with occasional light spots, mostly clean.
The devotedly feminine orientation of the Keepsake series is particularly observable here, both in the notable list of women involved in producing this year's “number” and, differently, in the series of inscriptions to be found in this copy. (26175)
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“Bravo, Old Cupid!” . . . I Think I'll Be a
Stockbroker, Myself.”
Reynolds, Frederick. Laugh when you can. A comedy, in five acts. As performed at the Theatre Royal, Covent-Garden. Dublin: George Folingsby, 1799. 12mo. 83, [1] pp.
$35.00
Gossamer, Bonus, Mortimer, and Delville attempt to hoax each other in various romantic schemes.
Fair; disbound from a nonce volume. Title-page stamped with shelving number; inked ownership inscription at top of dramatis personae listing with additional annotations reflecting cast changes. One leaf torn in half without loss; others with edge
chips or tears. (1832)
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Fontana: Use Quality Pasta
Rich, Jean. The Jean Rich cook book macaroni - spaghetti - egg noodles. Braidwood, IL: National Macaroni Manufacturers Assoc., [1930]. 16mo. 31, [1] pp.; col. illus.
$17.50
Illustrated with seven color-printed artist's renderings of dishes awaiting their diners. This cookbook was distributed by (and customized for) several different noodle companies, but the recipes were the same in all variants — the present example was sponsored by Fontana Food Products, known for their pasta products. The author was a “recipe counselor”
for the National Macaroni Manufacturers Association.
Not in Brown, Culinary Americana. Publisher's printed paper wrappers, showing only very minor wear. A clean copy. (26076)
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Professional
Quality ACHIEVABLE
by
Ambitious
Home Cooks
Richards, Paul. Pastry for the restaurant: Receipts
especially adapted for hotels of the European plan. Chicago: Hotel Monthly Press, © 1914. 8vo.
[2], 144, [14] pp.
$65.00
First edition: French pastries, American pies, cakes, puddings, ice cream, sweet
breads, etc., from the author of several books on baking, cookery, and restaurant management.
At the back of the volume are six pages intended for memoranda (left blank here) and eight pages
of advertisements for “Popular handbooks for hotel, restaurant, transportation, catering,
institution and club use.”
Click the images for enlargements.
Bitting 397; Brown, Culinary Americana, 814.
Publisher's limp black cloth in imitation of morocco, front cover and spine
with gilt-stamped title; very minor wear, with one short crease to cloth at bottom of front cover.
Front free endpaper with small owner's label (partially removed) and inked ownership
inscription. Paper age-toned but not brittle, pages very clean, all edges red.
(26831)
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Legends of the American Landscape — Plates & Painterly Prose
Richards, Thomas Addison. American scenery, illustrated. New York: Leavitt & Allen Bros., [1854]. 4to (22 cm, 8.7"). Frontis., 310 pp.; 30 plts. (lacking add. t.-p.).
$200.00
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Collection of thematically unified short stories inspired by the beauties of nature across the U.S.: Scenic high spots such as the Croton Fountain in New York's City Hall Park, the Virginia landscape, Tallulah Falls, the Rocky Mountains, etc. elicit dramatic and comic stories from an invented gallery of “accomplished and genial travellers” who “present at the same time an instructive topography and an entertaining romance” (p. 7). The author was himself a prominent landscape painter, and here matches his fiction with a frontispiece and 30 steel-engraved plates (some from his own designs) depicting the scenes described.
The work was also published in the same year under the title The Romance of American Landscape, and bears that running title here. This copy has an intriguing early pencilled inscription: “The 1st book my Father gave me came out of his book store - C.L.”
Binding: Publisher's brown sheep in imitation of morocco, covers with embossed grapevine and latticework border stamped in black and with decorative gilt-stamped title (“LANDSCAPE ANNUAL”); spine with same gilt-stamped title and gilt- and black-stamped decorations. All edges gilt.
Sabin 70958; Wright, II, 2030. Not in BAL. Binding as above, light wear to edges and extremities. Hinges (inside) starting. Front fly-leaf with inscription as above; additional engraved title-page with vignette of Mt. Vernon, lacking. Intermittent light to moderate foxing, mostly to margins of plates.
Lovely book, lovely copy. (26679)
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.
. . Again I feel the pressure / Of
her slender little hand . . .
Riley, James Whitcomb. An old sweetheart of mine.
Indianapolis: Bobbs-Merrill Co., 1902. Frontis., [62] pp; 17 plts.
$100.00

This heart-warming and charming gem by the well-known Hoosier poet has drawings
by famed American illustrator Howard Chandler Christy and pink decorations by Virginia Keep. It
is “an extended version . . . the short version first appeared in Old-Fashioned Roses, 1888" (BAL).
Click the interior image for an enlargement.
Binding: Green cloth
binding stamped in gilt, red and green (we have seen a variant in a wine colored
cloth). Pictorial onlay signed by Christy.
BAL 16657. Corners and
edges slightly rubbed. Inscribed. A beautiful copy. (24838)
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Armstrong–Christy Production
Riley, James Whitcomb. Out to Old Aunt May's. Indianapolis: The Bobbs-Merrill Co., (copyright 1904). Frontis., [50] pp; 20 plts.
$60.00
First legitimate published edition of the extended version of this poem (a briefer version appeared in the periodical Afterwhiles in 1888, and an earlier book-form printing was for copyright purposes only according to BAL). This is the first printing, matching the points described by BAL, in binding state A.
This nostalgic evocation of the exploits of two young boys at their aunt's countryside house is illustrated with 20 full-page plates and numerous smaller “studies from nature” by Howard Chandler Christy. Margaret Armstrong designed the binding, including the floral framing decorations and the endpapers are signed with her “MA.”
BAL 16667; Gullans, A checklist of trade bindings by M. Armstrong. Publisher's green cloth, front cover with gilt-stamped title and white-stamped decorative frame around an affixed half-tone portrait, spine decoratively stamped in gilt and white; corners and spine extremities very slightly rubbed, back cover with small adhesion, binding otherwise clean and beautiful. Sewing loosening a bit; this is heavy paper. (24864)
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Scots Antiquarianism — ILLUSTRATED
Ritson, Joseph, ed. The Caledonian muse: A chronological
selection of Scotish poetry from the earliest times. London: Robert Triphook, 1821. 8vo. Frontis., iv, 232 pp.
$275.00
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During the heyday of attempts to find the origins of Great Britain's literature, Ritson collected and published anthologies of nursery rhymes, Robin Hoodiana, English songs and ballads, and English and Scottish poems. Shortly before the present work was supposed to be published in 1785, a fire destroyed part of the printer's warehouse and the manuscript of Ritson's introductory essay; the surviving sheets, printed in octavo with horizontal chain lines, make their first appearance here with a new introduction. The poems are illustrated with vignettes engraved by Heath after Stothard's designs, and with small woodcuts by Bewick. The frontispiece is an engraved silhouette portrait of Ritson.
NSTC 2R11677; Lowndes 2099; Hugo, The Bewick Collector, 434. Contemporary half dark green morocco with red marbled paper sides, spine with gilt-stamped title; some rubbing and with a bit of green discoloration to paper of front cover. Minor offsetting to frontispiece and title-page; mild to moderate foxing in first third of volume and to last few pages. (21934)
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Classic
Collection / Uncommon
Illustrated Variant
[Roach, John, ed.]. The beauties of the poets of Great Britain,
carefully selected from the works of the best authors. Embellished with engravings on wood. London:
Sherwin & Co., 1821–22. 12mo (15 cm, 5.9"). 2 vols. I: [4], ii, 360 pp.; 9 plts. II: [2], iii, [1], 360 pp.;
9 plts.
$250.00
Click the interior images for enlargements.
Scarce-to-say-the-least illustrated variant of a long-popular anthology first published
in 1793. OCLC and NUC Pre-1956 fail to find any holdings of this edition, which is also not listed
by NSTC; from this time period, most catalogues and bibliographies find only the three-volume 1826
printing.
The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the
Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than
originally presented, and there are a few minor changes: “The Negro Boy” is not included here, while
several “runic odes” by Mathias and Penrose have been added. The expected highlights of Pope, Gray,
Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces such as Mrs.
Carter's “Address to Meditation,” Mary Darby Robinson's “Trumpeter,” and Helen Maria Williams's
“Sonnet to Twilight” and “Sonnet to Hope” (the latter memorized by Wordsworth, whose first
published poem was “Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress”).
The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not
the 1793 originals.
Provenance:
Ownership note of “Adams Jewett, M.D.” to top of title-page.
This ed.
not in NSTC, Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in
OCLC, not in COPAC. Recent marbled paper–covered boards, spines with printed
paper labels. Each title-page with early inked ownership inscription in upper margin as above. Some
pages with offsetting; spots of light to moderate staining; one page with pencilled annotation.
(25339)
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Such
a Pretty Binding . . .
Robertson, William. Histoire de l'empereur Charles-Quint. D'apres Robertson revue par une Societe d'Ecclesiastiques. Tours: Mame & Cie, 1853. 12mo. [6], frontis., add. engr. t.-p., [2], 283, [1] pp.; 2 plts.
$75.00
Eighth edition of this reworking of Robertson's history, with this version meant for juvenile readers. This copy is in the lovely publisher's binding with ornate gilt-stamping to the covers and spine as well as small green- and red-stamped vignettes.
Binding as above, spine gilt dimmed, edges and extremities lightly worn. Lower page margins waterstained, with foxing throughout. (10712)


Raising & Studying
“Fairy Creatures”
Robertson-Miller, Ellen. Butterfly and moth book. New York: Charles Scribner's Sons, 1912. 8vo. Frontis., xviii, [2], 249, [1] pp.; illus.
$65.00
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First edition. “Personal studies and observations of the more familiar species . . . with illustrations from drawings by the author and photographs by J. Lionel King, G.A. Bash, Dr. F.D. Snyder and others.”
“Personal” this is, both in construction and in style; it is written in accessible language and with wonder given full rein.
But it is real science. (Robertson-Miller published in agricultural and other scientific journals.)
Binding: Publisher's sage green cloth, front cover and spine stamped in olive, black, and pale green.
Bound as above with lower edge of front cover darkened, corners and spine extremities lightly rubbed. Front hinge slightly tender. Pages clean. (22214)
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“Dr Franklin” — Illustrated
Robinson, David F. Stories about Dr. Franklin, designed for the instruction and amusement of children. Hartford: D.F. Robinson & Co. (pr. by P. Canfield), 1829. 16mo (13.1 cm, 5.25"). 69, [3] pp.; illus.
$147.50

Uncommon first edition of this juvenile version of Franklin's biography, illustrated with 10 woodcuts, six hand-colored.
Click the image at right for an enlargement.
Shoemaker 40547. Not in Rosenbach, Early American Children's Books. Publisher's printed yellow paper wrappers, front wrapper lacking, back wrapper stained with edges nicked, spine overstitched at a later date. Moderate spotting and staining to pages; corners bumped. Slightly tattered: first few leaves with short tear from outer margin, not touching text; title-page and subsequent two leaves with short tear from inner margin, extending into text without loss. (24545)
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Rollins, Carl Purington. This house of havoc. New York: Pr. by the Press of the Woolly Whale for the American Institute of Graphic Arts, 1941. 8vo. 16 pp.
$25.00


Printed for those attending the presentation of the medal of the American Institute of Graphic Arts to Rollins, long (and influentially) the University Printer at Yale and a master of printing, typography, and type design. The sentiments here are conservative and nostalgic to the point of being cranky; the booklet is lovely. Sewn in publisher’s printed paper wrappers; clean and all but unworn, with the lower outer corners just slightly bumped.
PRINCE OF FORGERS
Rosenblum, Joseph. Prince of forgers. The incredible story of Vrain Lucas, who created over 27,000 literary forgeries and sold them for millions and the glory of France! New Castle (DE): Oak Knoll Press, 1998. 8vo. xiii, [1], 202 pp.; illus.
$40.00
Mrs.
Rundell's
Classic
Cookbook
Rundell, Maria Eliza Ketelby. A new system of
domestic cookery; formed upon principles of economy: And adapted to the use of private
families. London: John Murray (pr. by T. Allan & Co., Edinburgh), 1814. 12mo (17.2 cm, 6.8").
Frontis., [22 (contents)], xxx, 28, 28*/29*, 29–352 pp.; 9 plts.
$475.00
Click the images for enlargements.
Uncommon, early edition of a perennially popular cookbook — one of the earliest
and most successful of the 19th century — which underwent numerous shifts, revisions, and
expansions. Mrs. Rundell (1745–1828) originally conceived of the book as a collection of advice
for her married daughters, and obtained some of the recipes from a 1714 cookbook published by
her ancestor Mary Kettilby. The Dictionary of National Biography claims that she gave the
finished manuscript directly to the publisher John Murray, an old family friend, and that he first
printed it in 1808; however, Shaw & Shoemaker list three American printings in 1807 (two in
Boston and one in Philadelphia), and a Murray edition of 1806 was discovered in a university
library, leading one to suspect that the DNB was simply off by two years.
This edition includes the engraved frontispiece, a
kitchen and larder scene, along with nine other plates (as called for) showing
carving and trussing diagrams.
Bitting 410–11; Cagle 971 (for first ed.). On Rundell,
see: DNB, XLIX, 403. Contemporary speckled calf, spine with
gilt-stamped leather title-label, board edges with gilt roll; binding lightly
scuffed/rubbed overall and with some pitting thanks to the “speckling.”
One front fly-leaf excised. Front free endpaper with bold inked ownership
inscription dated 1813 and with two small pencilled “decorations”;
title-page with decorative but sadly illegible private collection rubber-stamp.
One recipe with early inked annotation. Scattered light foxing and staining,
pages mostly clean.
A classic, in a very nice copy of a less-common
edition. (26674)
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Three Plates with Cottage Designs
(Rural Housing Issues). Third annual report of the directors of the Association for Promoting Improvement in the Dwellings and Domestic Condition of Agricultural Labourers in Scotland. Edinburgh: Pr. for the Association by William Blackwood & Sons, 1857. Uncommon pamphlet, detail-packed as to both present housing realities and desirable changes, illustrated with three plates containing plans and elevations for cottage designs by architect William Fowler.
$139.50
Click the images for enlargement.
Uncommon pamphlet, detail-packed as to both present housing realities and desirable changes, illustrated with three plates containing plans and elevations for cottage designs
by architect William Fowler.
NSTC 2A17980 (for all years 1855–61). Removed from a nonce volume. Title-page with small inked numeral in upper outer corner, otherwise clean. (17033)
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Dr. Rush in
NON-Medical Mode
Rush, Benjamin. An account of the manners of the German inhabitants of Pennsylvania, written in 1789...notes added by Prof. I. Daniel Rupp. Philadelphia: Samuel P. Town, 1875. 12mo. Frontis. (port.), 72 pp.
$75.00
Rush gives a complimentary account of the Pennsylvania Dutch, which Rupp has amply annotated and published for him posthumously. Frontispiece is a wood engraving of “I.D. Rupp.” A page of advertisements has been bound in at the end.
Click the images for enlargements.
Provenance: Pencilled ownership inscriptions of James A. Hoffman, Kutztown (PA), 1877. “Thou shalt not steal.”
Sabin 74200; Howes R516. Contemporary green publisher's cloth with light wear and one spot to back cover. An article, “A Lesson in Pronunciation for Germans” has been affixed to the rear pastedown. A nice clean copy. (3043)
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The Critic at Work
Ruskin, John. Notes on some of the principal pictures exhibited in the rooms of the Royal Academy, and the Society of Painters in Water Colours, etc. No. III.--1857. London: Smith, Elder, & Co. (Pr. by Spottiswoode & Co.), 1857. 8vo. (3)-69 pp.
$75.00
Third of a series of annual “Notes on the Royal Academy” (1855–9), this issue contains brief descriptions and critiques of numerous paintings. The series was extremely popular with the public but provoked hostility from some artists. DNB says that “Ruskin hoped that certain criticisms passed by him on a friend's picture would ‘make no difference in their friendship.’ ‘Dear Ruskin,’ replied the artist, ‘next time I meet you, I shall knock you down; but I hope it will make no difference in our friendship.'”
NSTC 2R20848. Removed from a nonce volume, now in a marbled paper wrapper. Very good. (9147)
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